A collective voice for literature and languages in Scotland

LAS strengthens Board with new Trustees

LAS welcomes three new Trustees to strengthen our expertise in education, Scots and strategic leadership, and to broaden our geographic representation, at executive level.

The new Trustees are:

  • Valentina Bold, Principal Knowledge Exchange Fellow at University of Strathclyde
  • Sophie Moxon, Executive Director of Edinburgh International Book Festival
  • Poet David Wheatley, Reader at University of Aberdeen

Chair of LAS Peggy Hughes said: “We’re delighted to have had great interest from the sector in joining our Board for the two positions advertised. From such strong candidates we have appointed three Trustees to broaden the Board’s voices and perspectives and we look forward to welcoming Valentina, Sophie and David at our next meeting in May. 

“With the combination of skills, knowledge and expertise in academia, education, Scots and writing they bring to the Board, we’ve no doubt our new Trustees will make a huge contribution to our vital work in championing the literature, languages and publishing sector across the whole of Scotland and beyond.”

April 27, 2018

LAS survey: have your say on Creative Scotland funding

If you’re involved in the literature, languages and publishing sector, we’d like to hear your views on Creative Scotland  – whether or not you / your organisation is funded by them.

Please complete this survey before this Friday, 23 March 2018.

It’s only 10 questions. That’s just five minutes of your time to help inform our sector feedback at a meeting with CEO Janet Archer next week.

 
Feel free to share the survey amongst your own membership and with your wider literature, languages & publishing network. Every voice matters – we want to hear them all.
 
The deadline is Friday 23 March 2018. Thank you!
March 20, 2018

Guest blog: Scottish children are reading what they want

Shelagh Toonen, Librarian at Elgin Academy, responds to an article in the national press that  ‘Scottish children are not reading challenging enough books’ (BBC News, 22 February 2018)

The report reads that we are failing our pupils in Scotland. It highlights a study which leads us to believe that we have a Scottish education system clearly heading for catastrophe. Librarians, teachers, parents, pupils, education authorities and concerned citizens have reason for alarm. There are signs of literacy failure nationwide.

However, in my own school, Elgin Academy, in 2016, 87% of our pupils left school with a literacy level of level 5 in literacy or better. This was compared with 80% of our virtual comparator.

This refutes the claim in the study that “many 16-year-olds sitting National 4 and 5 exams have the reading ability of a 13 year old or lower.”

However, the education company Renaissance Learning, Inc. has made the claim that Scottish children are not reading challenging enough books and this was reprinted in the Scottish media. Renaissance Learning’s flagship product is a software package called Accelerated Reader. The company claims that AR (as it is called) is “the world’s most widely used reading software.”

It has been established in the UK since 1999 and claims to have a presence in over 40,000 schools in more than 60 countries worldwide. Renaissance’s purpose is to accelerate reading and learning for all. A minimum subscription rate for 50 pupils is £450, or £9 per pupil. AR is, by its very nature, a system of providing extrinsic motivation and extrinsic rewards for reading. A very expensive system with very expensive rewards.

Most pupils, even those with less reading ability, quickly realise that one way to accumulate points is volume, volume, volume. Read easier books and lots of them so you can quickly take as many AR quizzes as possible with minimal challenge. This competitive race is likely to discourage weaker readers while proficient readers may find the joy and power of reading reduced to vocabulary words and computer-generated comprehension quizzes. Our young people should not be reading to achieve tangible rewards. They should read because they want to. AR gets motivation wrong. It assumes that the reason our young people don’t read is that they need to be bribed into doing so with extrinsic awards.

Bestselling YA author Judy Blume is unequivocal: “What I don’t like and what I really don’t like — intensely hate, you could say — is the Accelerated Reader program, even though many of my books are in that program, because they rate books, not on emotional content or emotional readiness. They’re rated by machine — how many words in a sentence, how long is a paragraph. Nothing to do with character, nothing to do with subject and again, nothing to do with emotional readiness.”

Our pupils in Scottish schools read because their school librarian selected and recommended a book they thought they would enjoy based on knowing them and on their interests. Our pupils read to escape, to heal, to experience, to have adventures, to escape into other worlds and to dream. We provide them with the means to do that. School librarians provide a reader-friendly, safe, nurturing space with time to read and be read to and with time to select and to talk about reading. We provide access to books and, more importantly, choice. Young people are given free rein in the library, to read anything and everything they want.

Free choice is a powerful motivator in reading. For a young person, to have the opportunity to independently choose their own book, surely demonstrates their willingness and desire to read? It does not matter what that choice is. It should not be frowned upon nor the reader discouraged. Choice empowers our young people and if we value their choices, then we value them. Their choice leads to discussion, firstly about the books, but also then helps to create and to strengthen relationships. Ultimately, choice develops independent readers and learners.

If secondary school pupils do choose the same books they enjoyed in primary school, or choose to remain with one series of books, then they are reading books they have known, enjoyed and loved. If these books provide a comforting or nurturing value during what might be challenging or difficult times at secondary school, then that is a good thing. If pupils want to remain with Robert Muchamore, or Jeff Kinney or Anthony Horowitz and want to re-read the whole series, then let them.

School librarians are there to help our pupils to make choices based on their interests and to develop their enthusiasm for books. We are there to motivate and to enable our pupils to have choice in their reading. Strong and capable readers are those who read widely and diversely in a wide variety of genres and in the quest to build capable readers, promoting independent, self-selected reading remains key. Creating keen, lifelong readers doesn’t just happen. It takes a school library, with a diverse, relevant and vibrant collection of books and a professionally qualified librarian to help reach that goal.

My own proposal would be that all pupils be given the gifts of time and books they want to read throughout their school lives and that all young children would have an adult who would read aloud to them each and every day.

Parents of our pupils have a role to play in developing their reading habit and their literacy skills too. What parents do is more important than who parents are. A study involving 4000 children in the UK found parents who provided learning support at home had a positive impact on their child’s cognitive, language and socio-emotional development, regardless of the parent’s class or educational background. This can be anything from reading to their child, library visits, singing songs, reading poems or nursery rhymes.

The powerful influence of the early home learning environment was apparent in the pre-school period, and when children started school, and continued right through to the end of secondary school. Closing the gap in educational attainment between children from affluent and disadvantaged homes is a current priority of the Scottish Government.

A quality school library can contribute to reducing the attainment gap and enable vulnerable students to improve academic success. Evidence reveals the difference a school library can make at both primary level and to disadvantaged pupils who have limited access to reading resources in the home.

Nurturing my school’s reading culture gives me the opportunity to raise the profile of books and reading in school, while at the same time sharing my passion for high-interest titles, favourite authors and the joy of books.

I believe that, through independent reading and freedom of choice, our young people gain a wealth of background knowledge about many different things and they will build vocabulary, fluency and will want to read more. I want our pupils to enjoy reading and I know that school librarians’ role in creating readers is one of the most exciting and satisfying parts of our job.

Now, with changing technologies and concepts, the school library is a much more exciting place to explore than ever before. We all relish the excitement on a pupil’s face, when they come into the library, knowing that they are entering a world of creativity, adventure, learning, fun and warmth. It is a reminder every day of why our school libraries and reading are so important to our young people.

Professional library support and choice really do help to make our make young people into readers. I firmly believe that our libraries should be the beating heart of the reading culture in our schools in Scotland.

“Students will read if we give them the books, the time, and the enthusiastic encouragement to do so. If we make them wait for the one unit a year in which they are allowed to choose their own books and become readers, they may never read at all. To keep our students reading, we have to let them.”
― Donalyn Miller The Book Whisperer: Awakening the Inner Reader in Every Child.

This guest blog originally appeared on the CILIPS’ website. It is reproduced here with kind permission. 

March 1, 2018

LAS submission to Culture Committee re Creative Scotland funding

We have submitted the following response to the Scottish Parliament’s Culture Committee ahead of the evidence session with Creative Scotland on ‘Sustainable funding for arts and creative organisations in Scotland’ on Thursday 22 February 2018 from 9am. Meeting papers are here.

Peggy Hughes, Chair of Literature Alliance Scotland, said:

“While Literature Alliance Scotland is pleased that many strategic literature and language organisations have received regular funding from Creative Scotland, we have some concerns about the Board’s decision-making process in the final stages, which has been unclear, unaccountable and has resulted in some surprising outcomes. Specifically, we regret the loss of Edinburgh City of Literature Trust as a regularly funded organisation, and the reductions in funding for Tracs and Scottish Poetry Library.

“The Scottish Government’s positive budget announcement in December 2017 was met with both relief and optimism across the cultural sector. However, the developments that followed Creative Scotland’s initial regular funding announcement, with the subsequent series of reversals in some funding decisions, sets a worrying precedent that could indicate that not all voices and approaches are equally valued or listened to.

“We hope that the Culture Committee’s scrutiny of Creative Scotland on Thursday will provide the much-needed answers to questions about criteria, process and transparency that are being urged by us all across the cultural sector.”

 

February 20, 2018

LAS seeks new Trustees

Literature Alliance Scotland seeks to appoint two new Trustees and welcome expressions of interest from potential candidates – and particularly from those with a specialist knowledge of education, and Scots.

A description of the positions and the candidates’ qualities sought follows.

As LAS is a SCIO (Scottish Charitable Incorporated Organisation), the positions are unpaid, however, reasonable out of pocket expenses will be met.

If you would like to join our Board of Trustees, please send a CV and a short letter to LAS Chair Peggy Hughes on admin@literaturealliancescotland.co.uk telling us why you’d like to get involved and what you think you can offer.

The deadline for applications is 23 March 2018.

Information about being a Trustee for LAS

About LAS

LAS is a membership organisation, which is committed to advancing the interests of literature and languages at home and abroad. It is Scotland’s largest network for literature and languages, of more than 30 member organisations, bringing together writers, publishers, educators, librarians, literature organisations and national cultural bodies.

Our vision is that LAS is a trusted, strong collective voice for Scotland’s literature and languages, which are celebrated locally, nationally and internationally.

LAS was formed in spring 2015 as successor to the Literature Forum for Scotland, which was first set up in 2001, at the invitation of the then Literature Committee of the Scottish Arts Council. In 2006, following a review of its remit by the Scottish Arts Council, the Literature Forum was formally recognised as a national Advisory Council for Literature, and acted in this capacity. In mid-2014, Literature Forum members decided to review the organisation’s future role and to consider how it should develop to become a stronger and more inclusive voice for literature and languages in Scotland and abroad, leading to the transition in spring 2015 to Literature Alliance Scotland.

Members actively participate in leading and contributing to LAS’ main areas of work, which include championing the sector through advocacy and events, networking and sector intelligence, and professional development.

LAS’ income comes from membership fees and is supported by The National Lottery through Creative Scotland.

LAS became a Scottish Charitable Incorporated Institution (SCIO) in March 2016. Under its Constitution, LAS has a Board of Trustees headed by a Chair and Vice-Chair, elected by the members at the Annual General Meeting.

 

ROLE DESCRIPTION

Summary

The role of the Board of Trustees is to determine the overall strategic direction of LAS, monitoring progress towards our objectives and taking collective responsibility to ensure the good governance of the organisation. Our Trustees should be prepared to act as advocates.

Trustee applications are welcome from within and outwith the membership of LAS.

Main Duties

Our Trustees must perform the following functions:

Ensure the organisation complies with its constitution, charity law and any other relevant legislation or regulation.

Contribute actively to the role of the Board of Trustees in giving strategic direction to the organisation, setting and maintaining the mission, vision and values of the organisation and evaluating the organisation’s performance.

Establish policies and procedures to govern organisational activity

Ensure that the charity pursues its objectives as defined in its governing document

Ensure the effective and efficient administration of the charity and ensure its financial stability.

 

Time commitment

The LAS Board of Trustees meets four times a year. Trustees will be expected to prepare for and attend these meetings as well as our Annual General Meeting. Board meetings, which usually last around two hours, take place immediately after the Members’ meetings, which are held in Edinburgh during a working day.  One of the four meetings is held in a different part of Scotland.

 

Expenses

This is an unpaid post, however out of pocket expenses reasonably incurred in connection with carrying out the Trustees’ duties will be met.

 

Candidate Qualities

A sound knowledge of and passion for Scottish literature and languages

Familiarity with the principles and practice of leadership and management

Knowledge of the principles of corporate governance.

 

Experience

Active involvement with Scottish literature and languages in one or more fields. We would especially welcome a specialist knowledge of education, and Scots

Experience of making strategic decisions at board level

Acquaintance with leadership and management within the public sector

Familiarity with working collectively and in partnership.

 

Skills

An understanding and acceptance of the legal duties, responsibilities and liabilities of trusteeship

Financial literacy, with experience of financial management and the ability to assist with budget preparation

Strategic thinking and problem solving

Strong ambassadorial skills

Ability to work as a member of a team

Excellent spoken and written communications skills.

 

Personal Qualities

Strong commitment to the vision and objectives of Literature Alliance Scotland

Commitment to devoting the necessary time and effort to the role of trustee by preparing well for board meetings and actively contributing to them.

Good independent judgment and the ability to think creatively.

 

Other Factors

Convenient access to Edinburgh is desirable since most (but not all) meetings are held there.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

February 15, 2018

ICYMI: Watch the #ThisIsIt2017 videos

If you didn’t make it to the Literary Cabaret 2017 on 23 November, or to watch the speakers again, here are the videos.

Please share your comments with us @LitScotland using #ThisIsIt2017.

Fiona Hyslop MSP, Scotland’s Culture Secretary opens the show.

“Words matter, writers matter…Scotland is a country of the word. You are guardians and nurturers of that word. You are creators of that word. Thank you.”

 

Francis Bickmore, Publishing Director of Canongate, on publishing:

“Novels are literally a crash-course in empathy…Books can not only make us care but they can also give us hope.”

 

Adrian Turpin, Artistic Director of Wigtown Book Festival on book festivals:

 

Pamela Tulloch, CEO of Scottish Library and Information Council on public and school libraries:

 

Award-winning poet William Letford on writers:

 

Best-selling author Louise Welsh on international perspective:

December 4, 2017

Open Letter: We hope Government will continue to recognise the value of public funding of the arts

The Editor, The Herald

The cultural sector in Scotland awaits the UK Government’s budget announcement on Wednesday this week with trepidation: a perfect storm approaches.  Stark warnings have been issued to prepare for significant financial challenges. But further cuts to the public funding that supports the arts and its infrastructure in Scotland, the bedrock of a cultural offer recognised worldwide for its quality, will undoubtedly lead to the disappearance of many irreplaceable arts organisations.

The sector in Scotland has already weathered cuts of more than a third in real terms since 2010, including a year-on-year collapse of Lottery funding, which until now has been used to shore up Creative Scotland’s core funding for theatres, galleries, venues, literature, and more.  Creative Scotland would need an increase of 48% or £22m on the 2016 budget simply to match the real-term level of 2010.  Arts Council England, by contrast, this year announced £170m in new investment to support 180 additional National Portfolio Organisations.

Core funding reductions are compounded by threats from other areas:  if Barclay Review recommendations are implemented, millions would be wiped from the budgets of arts venues across Scotland.  Culture is not a protected spend, so further cuts to Local Authority budgets will wipe out grass roots community arts activities.

We welcome the positive public statements made by the Scottish Government in acknowledging the central role culture plays across our society, and we applaud the major new investments in film and the Edinburgh Festivals, The Burrell Collection and The V&A in Dundee. Clearly, the will to support arts and culture exists at the highest level.

However, big flagship investments cannot substitute for the basic funding that our everyday, small-to-medium sized cultural groups need to exist. If these disappear, which many will if predictions about cuts to Regular Funding Organisations (RFOs) are correct, how will we nurture and sustain the highly skilled but low-paid artists who deliver arts, culture and creative experiences to audiences across every community in Scotland?

We are clear that we have now arrived at a tipping point where even a small cut to Creative Scotland’s Grant-In-Aid, alongside the reduction in Lottery funds and local authority cuts, will devastate Scotland’s arts and culture infrastructure.  Damage to this infrastructure, developed with the aid of public investment over the last fifty years, will be irreversible. This cannot be overstated.

Conversely, a very small increase in funding would allow the core infrastructure of arts and culture in Scotland to survive and to thrive.

The argument for investment is strong. The arts and culture sector is one of the most efficient and dynamic in the country. In 2015/16 RFOs attracted £109m of extra investment from sources other than public funds and created 1.62 million public participation opportunities. In 2015, 92% of adults in Scotland participated in a cultural activity and Scotland’s Creative industries contribute £4.6bn GVA to the Scottish economy, supporting 73,600 jobs. These outcomes draw from, and depend on, skills identified and developed by the arts.

We are proud to live in a country that values arts and culture for its own sake as well as for its wider societal impact on health, education, justice and communities.  Government funding is vital to this ecosystem. We write to ensure the potential impact of further cuts is fully understood, and we ask the Scottish Government to demonstrate that understanding in the Draft Budget to come.

Yours faithfully,

Seonaid Daly, Director, Scottish Contemporary Art Network

Marc Lambert, Literature Alliance Scotland

Jan-Bert van den Berg, Director, Artlink Edinburgh & Lothians

Fiona Logue, Director, Craft Scotland

Dave Watson, Head of Policy and Public Affairs, Unison

Claire Stewart, Director, Creative Edinburgh

David Francis, Director, Traditional Music Forum

Jude Henderson, Director, Federation of Scottish Theatre

David Watt, Chief Executive, Arts & Business Scotland

Janie Nicoll, former President, Scottish Artist Union

Sara Graham, CC Skills, Nations Director

Robert Livingston, Director, Regional Screen Scotland

Diana A Sykes, Director, Fife Contemporary

The letter appeared in The Herald on Tues 21 November 2017 here, and was also covered by Phil Miller online here.

 

 

November 21, 2017

LAS launches Membership Skills’ Survey

LAS is delighted to launch our Members’ Skills Survey, which aims to build a clear picture of our combined expertise and resource.

The results will be used to aid our long-term strategic planning with a view to identifying opportunities for professional development, collaboration and networking within the membership.

To maximise the value of this process we are keen that all Member and Network Associate organisations contribute.

The survey can be found here: http://bit.ly/LASskillsSurvey

The closing date is Friday 3 March 2017 with the analysis ready by the end of March 2017 to share with our membership thereafter.

Your feedback is greatly appreciated and, although it does depend on the level of detail you provide, this survey should take no more than 15 minutes to complete. Thank you!

Please contact Jenny Kumar on admin@literaturealliancescotland.co.uk with any questions.

February 20, 2017

LAS seeks new Chair

LAS seeks to appoint a new Chair in early 2017 and welcomes expressions of interest from potential candidates. A description of the position and the candidate qualities sought is attached below. The person appointed will have a sound knowledge of Scottish literature and languages at a local, national and international level, familiarity with the principles and practice of leadership and management and knowledge of the principles of corporate governance.

The Chair serves for a term of three years, which is renewable for a further term of three years.

As Literature Alliance Scotland is a SCIO (Scottish Charitable Incorporated Organisation), the position is unremunerated but expenses reasonably incurred in connection with carrying out the duties of Chair will be met.

How to Apply
If you are interested in putting your name forward for this position, please send a CV and covering letter by email to Dr Donald Smith, Vice-Chair on admin@literaturealliancescotland.co.uk by 31 January 2017.

Key Responsibilities

  • Advance the interests of Scottish literature and languages at a local, national and international level.
  • Fulfil a strong ambassadorial role for Scottish literature and languages in consultation with members of Literature Alliance Scotland.
  • Provide leadership to the Board of Trustees and Members of Literature Alliance Scotland and ensure that Trustees and Members fulfil their duties and responsibilities as a SCIO (Scottish Charitable Incorporated Organisation).

Main Duties

  • Provide leadership to the Board of Trustees and Members in setting the future strategy for Literature Alliance Scotland.
  • Ensure that the values and objectives of Literature Alliance Scotland are regularly reviewed.
  • Chair Board and Member meetings and oversee an effective administration.
  • Represent Literature Alliance Scotland and promote the organisation to government, local authorities, external partners, stakeholders and funders.

Candidate Qualities

Knowledge

  • A sound knowledge of Scottish literature and languages at a local, national and international level
  • Familiarity with the principles and practice of leadership and management
  • Knowledge of the principles of corporate governance

Experience

  • Active involvement with Scottish literature and languages in one or more fields
  • Acquaintance with leadership and management within the public sector
  • Familiarity with working collectively and in partnership

Skills

  • Strategic thinking and problem solving
  • Strong ambassadorial skills
  • Sound independent thinker and ability to think creatively
  • Ability to work as a member of a team
  • Managing finance and accounts
  • Excellent spoken and written communications skills

Personal Qualities

  • Strong commitment to the values and objectives of Literature Alliance Scotland

Other Factors

  • Convenient access to Edinburgh is desirable since most (but not all) meetings are held there.
January 10, 2017

Development meeting for overseas literature promotion set for January 2017

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LAS is set to hold a development meeting in January 2017 as part of the next steps agreed with delegates at their International Literature Summit in November 2016.

The meeting will take place on Wednesday 25 January 2017 from 12-2pm at the Saltire Society in Edinburgh and welcomes individuals and organisations with a remit in the international promotion of Scotland’s literature, languages & books.

Following consensus at the International Literature Summit for a joint service between organisations for overseas promotion, the meeting aims to work out the detail with a practical, pragmatic and focused universal approach.

Please register here

Summary notes on the Literature Summit can be read here.

December 15, 2016

Headline notes on the International #LiteratureSummit 2016

We were delighted to welcome an impressive turnout of literary delegates and speakers – writers, publishers, literature organisations, literary agents, literary editors, translators and academics – to the Summit on the International Promotion of Literature & Books 2016 on 23 November for what many have described from the feedback as a stimulating discussion. We’re grateful to all the speakers, including Alasdair Allan MSP, Minister for International Development & Europe who delivered the opening address, and delegates for their contribution. Photos of the day are here.

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Dr Alasdair Allan MSP.

Below are the headline notes, including, at the end, the consensus reached and the agreed key action, on which we will move forward quickly, so watch this space!

Headline Notes

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Keynote – Dr James Robertson

  • Joined up thinking and acting to be done
  • Are Scottish Literature and Languages part of soft diplomacy’s toolkit and if so to build what, with whom and for what purpose?
  • With less money available, need to spend wisely and efficiently
  • Economically and ecologically best to send writers overseas? – use resources differently e.g. podcasts, more translations
  • How to judge success? Number of book sales or literary prize wins?
  • ASLS good example of how patience in building international contacts can yield rich outcomes over a long period
  • What do mean, whom do we mean by Scottish writers?
  • What does Scottish Literature look like from elsewhere?
  • If literature represents the kind of society from which it grows, historically, Scottish Literature tells the world a very different story to English Literature
  • Need to balance literary identities and aspirations with practicalities and the realities of the political world.

Session One – Literature Organisations’ Perspective: what needs to be done?

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Fiona Brownlee, Brownlee Donald Associates for Association of Scottish Literary Agents (ASLA)

  • Focus on best use of resources
  • Fund authors to travel with dedicated promotion
  • Point of contact in international / foreign offices, offering / driving coherent promotional support for authors
  • Promotion and book appearances tied together e.g. Saltire offices in NYC
  • Join up disparate organisations

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Duncan Jones, Director, Association for Scottish Literary Studies (ASLS)

  • University network as natural ambassadors for Scottish Literature, engaging with students internationally
  • Readers regularly not realising strong Scottish writers are actually Scottish
  • Scottish universities to recognise Scottish Literature alongside other courses
  • Availability of texts is vital, online and at home, classic texts to be brought back in to publication

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Eleanor Pender, Communications Executive, Edinburgh UNESCO City of Literature Trust

  • Balance of home and abroad working together to create a strong basis for international collaboration

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Nick Barley, Festival Director, Edinburgh International Book Festival

  • Authors needs to travel to develop relationships
  • Global relationships and exchange are vital in promoting Scottish Literature – it’s an ongoing conversation

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Marion Sinclair, Chief Executive, Publishing Scotland

  • Coming from a position of strength in collaborative working
  • Build on existing assets to work better internationally
  • Recommends new joint venture / service from a number of organisations rather than new body in charge – with dedicated staff to handle work

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Asif Khan, Director, Scottish Poetry Library

  • Sustainability – share authors and writers abroad, visiting poets and residencies, translation workshops and media collaborations
  • Joined up thinking
  • Historically Scottish poetry is more outward looking
  • Synchronise Scottish Poetry to where it’s looking out to the world

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Session 2: Public Agencies & Tourism Panel

Chair: Magnus Linklater; Panellists: Jenny Niven, Creative Scotland (JN), Cortina Butler, British Council – Literature (CB), Jeni Oliver, SDI (JO), James McVeigh, Festivals Edinburgh & Edinburgh Tourism Action Group (JMcV).

JN: important to consider what success looks like. Four key themes of CS’ framework for international approach: import, export, cultural exchange, and cultural diplomacy.

JMcV: Arts and tourism separated by semantics – visitors = readers, audience. Literary tourism generally packaged as heritage as easier to engage with place marketing. Challenge is how tourism sector works with contemporary writers. Engage with organisations to find the ‘hook’.

Soft power
JN: Cultural diplomacy and relationships are fluid. Difficult to match countries and agency objectives with artists’ creative suggestions and where they want to go.

Tourism
JMcV: Readers are the audience. Engage with the cultural tourism offering of all kinds of countries.

CB: We need to understand and recognise the differing priorities for organisations, agencies, writers, publishers etc. to find where they overlap – the sweet spot.

Branding a culture
JO: Need to understand what starts the conversation with a country, which varies from country to country. Need to start thinking about its audiences, tourists, readers – where do we want to engage? Don’t rely on what is already out there and the known writers. Need to do more about content that resonates here – different across Scotland. Businesses here are identifying new ideas, taking on the risk and offering support with that risk.

CB: English and Scottish book activity looks for a range of writers from across the country, depending on what the project is looking for.

JO: What is your audience, where are they and what is the hook? How to bring it all together?

JN: An atmosphere where organisations are championing each other’s efforts. Need for a collective mechanism to bring these efforts together. New agency not feasible, but tangible efforts can be made. Persuade Scottish media to focus on the arts more. Work in development visibility on increasing Scottish arts in the media.

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Session 3: Writers’ Panel – what additional support do writers need?

Chair: David Robinson; Panellists: Ronald Frame (RF); Gavin Francis (GF), Vivian French (VF) and Kathleen Jamie (KJ).

VF: When do you decide that an author is Scottish and that their work is Scottish?
Children’s picture books are a massive export. 80% of books in a Copenhagen bookstore originated from the UK. Live aspect is very important for children’s books.

GF: Attending events or travelling has been under different provisos, different organisations and mechanisms. It’s very precarious, often fortuitous. It would be useful for authors if they knew that British Council would help fly them if there was a bursary or more information available.

RF: Scottish fiction doesn’t seem to sell well. It sells well in the US but less so here.

KJ: Scotland is a country of landscape, not of crime.

VF: With the children’s book world, it’s our books going out but not many books coming in.

GF: There are hopeful signs with basic minimums to pay writers travelling to events. Most writers have a couple of jobs to support themselves too.

Jenny Niven mentioned Open Project Funding less than £5k – smaller pots of money available with quicker turnaround.

Key issues: writers and bureaucracy for applications and rights issues, points raised about the issue of selection of writers, perception that the same writers get chosen for agency projects, writers not being aware of how their work is used or what organisations offer.

Also highlighted was International Literature Showcase in Norwich, which CS is partner funding.

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Session 4: Publishers’ Panel – what more could be done internationally?

Chair: Jenny Brown; Panellists: Hugh Andrew, Birlinn (HA); Andrea Joyce, Canongate Books (AJ); Katy Lockwood-Holmes, Floris Books (KL-H); Adrian Searle, Freight Books (AS); Rosemary Ward, Gaelic Books Council (RW), Robert Davidson, Sandstone Press (RD).

AS: Sell more books to International publishers, more resource to Publishing Scotland to expand on success. Foundation of success based on books that have done well in their own country – over 10,000 copies. Build the market in Scotland. Pressure the media for support.

KL-H: Children’s part of Scottish Literature is building readers of the future. Authors & illustrators’ success overseas translates in sales and rights sales.

RD: Action on sales – we have a team in North America selling Scottish books. Face to face contact is key.

AJ: AJ: Key for Scottish publishers to get out and build relationships with international publishers to persuade them to take risk on a new voice and new writer. Need Go See follow up fund, Reverse Fellowship internship.

RW: Co-ordinated initiative to promote writers and authors.

HW: Home market is dysfunctional. If we don’t make any money at home, can’t expand and invest in foreign markets. Need self-sustaining home market.

Cortina Butler, British Council – on looking at other countries – recommended Polish Book Institute as a good example of online resource providing support and information available to writers. Translation needs with marketing component.

AS: Good examples is NORLA, great engagement, success in home market but doing it for 25 years – long term investment.

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Q&A highlights

  • New Books in German – Publishing Scotland produces similar title for Scotland
  • Invite translators to conferences
  • Irish Literature Exchange (name clearly says what it does)
  • Why does Irish diaspora support their books more?
  • Discover books via link with television and film adaptations / improve link with development directors
  • AS: need more independent bookshops – call to remove business rates

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Session 5: Resolutions & Next Steps

Magnus Linklater (ML); Donald Smith (DS); Marion Sinclair (MS)

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Headline discussion points

  • Need for coherence, communication and some co-ordination
  • No desire for uniformity or imposition of one single strategic line
  • Agreement for a shared strategy that encompasses the different aspects and is understood by all
  • How might this be expressed and developed?
  • Joined up thinking – can different bodies and organisations release boundaries in guarding own patch to work in coordination?
  • New agency model may be applicable in the longer term
  • At present, agreed that the model had to be structured co-operation amongst the existing lead organisations working closely with the public bodies and agencies
  • Consensus around the idea of a joint service – jointly between organisations. Detail tba – see key action below
  • Festivals Edinburgh suggested as a possible comparator.

Jeni Oliver, SDI, made a commitment for

  • Further support for Go See Fund for follow-up visits to new markets, showcasing a new product to a new market or looking to build new relationships.
  • More support for Translation Fund for marketing element

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Headline audience discussion
Donald Smith: Mission critical that Creative Scotland support those who already exist so it’s difficult to find new resources for a new organisation.

Jenny Niven: Some seed money is available from Creative Scotland to move things forward.

Joy Hendry: Literary editors and magazines not discussed. No recognition for literary editors’ unique links and relationships on international stage with writer networks. Need formal recognition and input from literary magazines.

Ian Brown: Problem of not overlapping – clear need for more coordinating and communicating within the sector.

Fiona Brownlee: Very positive day. Publishing Scotland and EIBF bring a great deal and should be involved.

James Robertson: Opportunity to promote literature in collaboration with other cultural forms – overlap with music and other art forms, especially film.

Ron Butlin: Need to help Scottish Government understand that the arts are cost-effective PR for Scotland.

Kaite Welsh: Soon to be four literature officers at Creative Scotland – please contact us to ask questions.

Linda Strachan: Authors don’t know what’s going on and how their work is being used. How to communicate information to the grassroots level? It needs to reach the writers and the creative people.

Robyn Marsack: Poets needs to try and subscribe to literature organisations such as SPL. Writers need to make an effort too – it’s a two-way system.

Graeme Hawley: Scottish Literature on Wikipedia needs updating. Far less info, photos, links available than Irish Literature – missed opportunity, can be updated by anyone!

Cathy Agnew: Highlighted DG Unlimited – new online membership organisation for those who care about Dumfries & Galloway’s creative sector and cultural life. Shared press & publicity.

In addition, Jenny Niven presented an update on work achieved or underway since publication of Creative Scotland’s Literature and Publishing Review in 2015, based on news release issued the morning of the Summit – Growing Scotland’s Literature & Publishing Sector

Key Action

A meeting will be convened, under the auspices of LAS, via an open call, that both members and interested non-members can attend to discuss and work out the detail of the Summit’s consensus for a joint service between organisations with a practical, pragmatic and focused universal approach.

Timescale: by end February 2017.

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November 30, 2016

Creative Scotland news: Growing Scotland’s Literature and Publishing Sector

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Jenny Niven, Head of Literature, Languages and Publishing at Creative Scotland today, Wednesday 23 November 2016, provides an update on Creative Scotland’s work to support Scotland’s Literature and Publishing Sector, since the publication of its Literature and Publishing Review.

The update coincides with Niven’s appearance at Literature Alliance Scotland’s International Summit, taking place at Edinburgh’s Storytelling Centre, during Book Week Scotland.

Jenny Niven, Head of Literature, Languages and Publishing at Creative Scotland, commented:
“Convened in direct response to recommendations within the Literature and Publishing Sector Review published in June 2015, the Summit is bringing together – for the first time – writers, publishers, literature organisations and public bodies to plan how Scotland can better support the international promotion and presentation of Scotland’s writers and literature.

“A range of other projects, including new support for translation as well as investment in the recently established International Literature Showcase are part of our increased focus on international working, in response to feedback from the Literature sector in 2015’s sector review.

“That consultation has helped shape our Arts and Creative Industries Strategies and we thank everyone who has contributed to this work so far.  We look forward to continuing this work with Scottish Government, partner agencies and individuals to create the best conditions to support a thriving literature and publishing sector in Scotland and internationally.”

Published 18 months ago, the Literature Sector Review produced a broad spread of recommendations aimed at improving the health of literature in Scotland, sustaining the sector as a vibrant form of cultural expression, and as an important creative industry. The review covered a range of areas including individual writers, the publishing industry, developing readers, and the international promotion and development of Scottish writing.

In addition to the £4m awarded to writers, poets, book festivals, storytellers, publishers and literary organisations, over the last year, to support their work in Scotland and internationally, a number of measures have been undertaken in the past 18 months to help grow the Sector, including:

International Promotion
Developing a strategic approach to the international promotion of Scottish writers and Literature

  • Today’s International Summit has been co-ordinated by LAS, in direct response to a specific recommendation from Creative Scotland’s Literature and Publishing Sector Review, to explore a more strategic approach to the international promotion of Scottish writing and literature.  Dr. Alasdair Allan MSP, Scotland’s Minister for International Development and Europe, will open the event. The aim of the day is to lay the groundwork for a stronger international presence for Scottish literature.

Donald Smith, Vice-Chair of LAS said: The issue of Scotland’s international presence has been discussed a great deal over the years. This Summit marks the first time that the key players will be together in the same space with the same goal of agreeing what needs to be done and how we might work together to do it.”

  • Creative Scotland is partner funding a major new initiative with Writers Centre Norwichand the British Council to promote UK writers and literature organisations overseas.  Launched in September 2016, the online International Literature Showcase is supporting talented upcoming writers with promotional opportunities, new commissions and the development of their international profile.

Developing Talent and Skills

  • In the last financial year, 2015-16, Creative Scotland awarded more than £4million to writers, poets, book festivals, storytellers, publishers and literary organisations to support their work in Scotland and internationally. For further information on Creative Scotland’s support for Literature, languages and publishing please visit, here.
  • Creative Scotland’s Open Project Fundoffers support for individual writers at all stages of their careers.  Awards made this year include Janice Galloway, Kirsty Logan, Amy Liptrot, Ewan Morrison, Merryn Glover, Malachy Tallack and Gordon Meade.
  • The Gavin Wallace Fellowship enables writers to take time out of their usual environment to develop their practice over the course of a year.  Writer Kirsty Logan, who undertook her Fellowship in 2015, commented: “The past year has been absolute bliss. Having the freedom to read, think and explore is truly priceless for a writer. The fellowship came at exactly the right time in my writing life, and I can’t recommend it enough.”
  • Creative Scotland has partnered with the Scottish Review of Books to run the Emerging Critics Mentoring Programme, which was launched with a talk at the Edinburgh International Book Festival in August 2016. Between November 2016 and February, 2017, 20 writers looking to break into literary criticism are being mentored in small groups by critics Alan Taylor, Rosemary Goring, David Robinson, Kaite Welsh and Dave Coates. Mentees are receiving guidance on writing literary criticism for print and online platforms and are receiving individual feedback with a view to showcasing their work on a special Emerging Critics section of the Scottish Review of Books website.

Mentee Ian Abbott, commented: “The emerging critics programme is bringing together different voices and practices from inside and outside the field of literature to learn from, share with and challenge each other. It offers the opportunity to reset, refocus and deepen our thinking on what criticism is, could be and how relevant it is; I’m interested in who isn’t represented, the gaps that exist and why some voices are invisible. There is already a generosity and exchange amongst our group and I believe it’s going to produce a series of stimulating debates, new sets of knowledge and a hearty barrel of the unknown.”

Translation

  • Launched in August 2015, the new Translation Fund, delivered by Publishing Scotland, is designed to encourage international publishers to translate works by Scottish writers. The £25,000 fund has already supported the translation of work from authors such as Amy Liptrot, Gavin Francis, Jenni Fagan and Jackie Kay translated into a variety of languages including Spanish, Italian and German amongst others.

Aly Barr, Literature Officer at Creative Scotland, said “The Publishing Scotland translation fund is now attracting applications from leading publishers around the world. The fund forms part of a pathway for international publishers-working in parallel with the annual international publishing fellowship. The fund is the amongst the largest awards schemes for translating books in Britain and positions Scottish publishing as an outwardly facing industry keen to share its stories with the world.”

  • The Fellowship Programme launched in August 2015 with the aim of forging stronger and more strategic links between international and Scottish publishers and agents to discover and acquire the rights to Scottish books.  Developed in partnership between Creative Scotland, Emergents and Publishing Scotland, the programme has engagedeighteen international publishing fellows.
  • The newly established Translation Residency Programme is offering writers the opportunity to take the time to work on the translation of Scottish works.  Delivered by Cove Park in partnership withPublishing Scotland and the British Centre for Literary Translation.  Anne Brauner (Germany) and Clara Pezzuto (Italy) undertook residencies in September 2016 and translated works byScotland based authors – The Nowhere Emporium by Ross Mackenzie and And The Land Lay Still by James Robertson, respectively.
  • In 2017, the Translation Programme will expand to include partnerships with Writers Centre Norwich and University of Glasgow, in addition to a continuing relationship with Publishing Scotland, creating a UK-wide and outward looking programme. Highlights include residential mentoring for translators and poet-poet translation, as well as an increase in the number of translation residencies available.

Advocating for literature

  • Literature Alliance Scotland was awarded £50,000 in April 2016 to undertake a two-year programme of advocacy and networking involving its 26 member organisations (e.g. EIBF, Scottish Poetry Library, Scottish Book Trust, Saltire Society). The programme of activity will be rolled out over the next 18 months and the first output is today’s international summit.

Writer’s Pay

  • Creative Scotland’s recently published Arts Strategy underlines its ambition to improve the financial context in which artists and other creative professionals develop and make their work.  The Strategy has been informed by findings reported in the Literature Sector Review which found that that 81% of Scottish writers who responded to the survey earn below the National Minimum Wage. Together with the Society of Authors in Scotland, and other partners, Creative Scotland is exploring ways to address this issue and encourage organisations representing writers to continue to work closely with the sector in setting  standards  and  terms  of  engagements  for  activities  such as travel,  speaking  engagements, residencies, and publishing  contracts.

Access to literature and support for Scotland’s languages

  • In August 2015, Creative Scotland and the National Libraries of Scotland announced the first Scots Scriever – poet, novelist and playwright, Hamish MacDonald.  Responsible for working with the cultural sector, communities, and in particular, schools across Scotland, the Scriever will work to enhance awareness, understanding and use of Scots.  The Scriever post is also directly complementing Education Scotland’s work through their Scots language co-ordinators to broaden engagement of the Scots language policy.

Notes to Editors

About Creative Scotland 

Creative Scotland is the public body that supports the arts, screen and creative industries across all parts of Scotland on behalf of everyone who lives, works or visits here.  We enable people and organisations to work in and experience the arts, screen and creative industries in Scotland by helping others to develop great ideas and bring them to life.  We distribute funding provided by the Scottish Government and the National Lottery. For further information about Creative Scotland please visit www.creativescotland.com.  Follow us @creativescots and www.facebook.com/CreativeScotland

Media Contact

Sophie Bambrough
Media Relations and PR Officer, Creative Scotland

D +44 131 523 0015 +44 7916 137 632

E: Sophie.bambrough@CreativeScotland.com

November 23, 2016

Summit to Debate Promotion of Scotland’s Literature & Books Overseas

A Summit to debate how Scotland’s literature sector should promote its writing and writers overseas is set to take place on Wednesday 23 November 2016 at the Storytelling Centre in Edinburgh.

Taking place during Book Week Scotland, the Summit is hosted by Literature Alliance Scotland (LAS), Scotland’s largest network of literature and languages organisations.

Dr. Alasdair Allan MSP, Scotland’s Minister for International Development and Europe, will open the event that brings together – for the first time – writers, publishers, literature organisations and the main public agencies in Scotland with a responsibility for the international promotion of Scotland’s literature and languages.

Author and publisher James Robertson will deliver a keynote speech. Speakers also include non-fiction award-winning writer Dr. Gavin Francis, poet Kathleen Jamie and children’s author Vivian French, publishers Canongate and Birlinn, literature organisations Publishing Scotland, Edinburgh International Book Festival and Association of Scottish Literary Studies, and public bodies and agencies Creative Scotland, British Council and Scottish Development International. The full programme is here.

The ‘by invitation’ Summit responds to recommendation 31 of Creative Scotland’s Literature and Publishing Review, published in June 2015, to ‘lay the groundwork for a strategic and coordinated international presence.’

Minister for International Development and Europe, Dr Allan said: “The Scottish Government is committed to supporting Scotland’s literature internationally. This event will bring together for the first time public agencies, writers and literary organisations to discuss ways to strengthen the presence of Scotland’s literature and publishing on the international stage.

“I look forward to opening this event and being part of the discussions on how we can work together to promote our literary culture at every possible opportunity.”

Donald Smith, Vice-Chair of LAS said: “The issue of Scotland’s international presence has been discussed a great deal over the years. This Summit marks the first time that the key players will be together in the same space with the same goal of agreeing what needs to be done and how we might work together to do it.

“We’re honoured to welcome Dr Allan MSP to open the day and look forward to hearing from a range of different voices across the sector – both speakers and delegates. We don’t expect to find an answer in only one day, but we’re ambitious to reach a consensus of how we move forward practically, which is a step in the right direction.”

Jenny Niven, Head of Literature, Languages and Publishing at Creative Scotland, said: “Writing from Scotland, both historic and contemporary, is recognised worldwide for its excellence. However, a stronger, more visible and better coordinated international presence would bring benefit for Scottish writers, publisher and organisations alike, which in turn is of benefit to Scottish culture and society as a whole. This view was voiced across the sector during the consultation commissioned by Creative Scotland in 2015, so it’s terrific to see that work is being made tangible via the upcoming summit. There is a range of partners with a vested interest in working towards this goal and having everyone brought together is of enormous value. I look forward to a vibrant discussion, which foregrounds the strengths on which we can build, and lays the foundations for a practical approach in the future.”

-Ends-

Issued by JK Consultancy on behalf of Literature Alliance Scotland. For further information, please contact LAS Communications Officer Jenny Kumar on 07989 557198 / jenny@jkconsultancy.com

Notes to Editor

  • Published in July 2015, Creative Scotland’s Literature Sector Review provides an overview of contemporary literature provision, reflecting the successes and the distinct qualities of Literature and Publishing in Scotland whilst at the same time identifying development needs, future challenges and opportunities, which will help inform the future work to best support literature and publishing in Scotland.
  • The Review produced a broad spread of recommendations aimed at improving the health of literature in Scotland and sustaining the sector as a vibrant and resonant form of cultural expression, and as an important creative industry. It covers a range of areas including writers, the publishing industry, developing readers, the sector ecology and the international promotion and development of Scottish writing.
  • This event responds to a recommendation with the review that leading literature institutions and publishers convene a summit for laying the groundwork for a strategic and coordinated international presence. More info here:
  • http://www.creativescotland.com/resources/our-publications/sector-reviews/literature-and-publishing-sector-review

Literature Alliance Scotland, a membership organisation, represents the principal literature and languages organisations in Scotland, and is committed to advancing their interests at home and abroad. We exist to provide a strong, trusted collective voice on their behalf. Formed in Spring 2015, LAS is a successor to the Literature Forum for Scotland.

For further information visit www.literaturealliancescotland.co.uk or follow us @LitScotland

Book Week Scotland is a week-long celebration of books and reading that takes place every November. During Book Week, people of all ages and walks of life will come together in libraries, schools, community venues and workplaces to share and enjoy books and reading. They will be joined in this celebration by Scotland’s authors, poets, playwrights, storytellers and illustrators to bring a packed programme of events and projects to life.

Working with a range of partners, it is delivered by Scottish Book Trust, a national charity changing lives through reading and writing. Scottish Book Trust believes that books and reading have the power to change lives. As a national charity, we inspire and support the people of Scotland to read and write for pleasure. For more information about Book Week Scotland, visit www.bookweekscotland.com. Follow @Bookweekscot on Twitter, check out #bookweekscot or like the Book Week Scotland Facebook page.

Creative Scotland is the public body that supports the arts, screen and creative industries across all parts of Scotland on behalf of everyone who lives, works or visits here. We enable people and organisations to work in and experience the arts, screen and creative industries in Scotland by helping others to develop great ideas and bring them to life. We distribute funding provided by the Scottish Government and the National Lottery. For further information about Creative Scotland, please visit www.creativescotland.com Follow us @creativescots and www.facebook.com/CreativeScotland

November 15, 2016

End of LAS Chair’s term marked at first AGM

LAS held their first AGM yesterday (9 November 2016) at Saltire Society under their new constitution as a SCIO, which marked the end of Dr Ann Matheson’s term as LAS Chair.

The meeting was well attended by members and the board who made a special presentation to Ann for her dedication to Scotland’s literature and languages and her incredibly hard work and inimitable leadership in overseeing the transition of the organisation into Literature Alliance Scotland.

In addition, yesterday marked LAS Administrator Catherine Allan’s last board and members’ meeting as she is due to leave the organisation in December 2016. Catherine, who has worked tirelessly to keep the organisation running smoothly from its inception, also received a presentation to thank her for her important contribution.

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Dr Ann Matheson (left) and Catherine Allan

LAS is in the process of seeking a new Chair and more information will follow in due course.

Meanwhile, the role of administration will be handed over to Communications Officer Jenny Kumar from January 2017.

November 10, 2016

Appointment of LAS Communications Officer

Literature Alliance Scotland is very pleased to announce that Jenny Kumar of JK Consultancy in Glasgow has been appointed to the post of LAS Communications Officer. Jenny is a graduate of the University of Glasgow with thirteen years’ experience in communications. She has worked with organisations across the arts, third sector, health, economic development and tourism, and will take up her post with Literature Alliance Scotland in the week commencing 25 July 2016. We welcome Jenny to her new role with Literature Alliance Scotland.

July 21, 2016
Appointment of LAS Communications Officer

Literature Alliance Scotland seeks new Communications Officer

Literature Alliance Scotland (LAS) wishes to contract a Communications professional to assist in driving forward its goals and future development. This work offers an opportunity to work with Scotland’s literature organisations, contribute to developments and have an active involvement in managing and delivering LAS’s activities for literature. The contract will also include some events management and administration. The successful applicant will work largely independently on a day-to-day-basis, and will report to the Lead on Advocacy and Communications and ultimately to the LAS Board of Trustees.

The estimated time commitment equates to 2.5 days per week for an initial contract period of one year based on a daily rate of £150.00.

LAS plans to appoint to allow the work to begin from July 2016. Contract details are shown below.

How to Apply

Please send a CV and covering letter by email explaining why you think you are right for the project and highlighting relevant experience. We welcome applications from organisations as well as individuals.

Applications should reach us by noon on 17 June 2016, with interviews soon afterwards.

Email LAS Administrator: catherineallan.las@gmail.com

May 2016

Communication Officer: Job Details

Main Purpose of Role

Working largely independently on a day-to-day basis, the Communications Officer will work closely with LAS’s Board and four steering groups (Advocacy and Communications; International and Partnerships; Events; and Professional Development), providing editorial, strategic, creative and operational support across LAS’s activities for literature. He/she will play a key role in ensuring that LAS’s communications are both influential and informative for the literature community in and beyond Scotland.

Main Duties

Communications (75%)

  • Researching and writing a range of content for a variety of audiences, to be published across a range of channels, e.g. press releases, newsletters, internal bulletins, magazines, website and social media
  • Drafting, editing and distributing material relating to LAS’s activities to the literature community and others as required
  • Working with LAS’s Advocacy and Communications group on preparing annual literature campaigns; and in reacting to current issues that may arise
  • Pitching information to a range of media outlets to achieve quality coverage, and reporting results in a meaningful and timely way
  • Managing the LAS website, ensuring the main site (http://literaturealliancescotland.co.uk/) is regularly updated; and developing the main website and microsites as required, ensuring they remain up-to-date and responsive to the needs of their different audiences of writers, literature professionals, publishers, translators, etc.
  • Building and maintaining LAS’s social media presence through Twitter, Facebook, LinkedIn and other networks as appropriate
  • Fielding inquiries from the literature community in and beyond Scotland; and arranging member surveys as and when required
  • Helping to promote and communicate LAS’s events
  • Designing and distributing quarterly literature updates and annual state of literature reports.

Events Management and Administration (25%)

  • Arranging LAS meetings (e.g. annual Literature Day, literature summits, regional meetings), including booking venues, sending approved invitations, other non-media publicity and ensuring the smooth running of the event on the day.
  • Arranging LAS member meetings, and Board meetings, and preparing agendas and minutes of meetings
  • General admin duties as required

Person Specification

Qualifications

  • Educated to degree level or equivalent
  • Qualification or experience in working in communications

Essential Skills

  • A knowledge of Scotland’s literatures and languages and a commitment to the aims of Literature Alliance Scotland
  • Excellent verbal and written communication skills
  • A sufficient understanding and a proven ability of working collaboratively with key stakeholders and relevant external bodies;  and developing and maintaining effective working relationships with a range of people
  • A good knowledge of website management and experience of working on a regularly updated website, including direct experience of WordPress and a basic knowledge of HTML and CSS
  • Basic Adobe skills and the ability to use Photoshop, InDesign creatively
  • Experience of using social media successfully
  • The ability to prioritise and to work accurately to tight deadlines
  • Is a self-starter and can work on his/her own initiative

Key Contacts

The Communications Officer will report directly to the LAS Lead on Advocacy and Communications, and, when required, the Chair and Vice-Chair, and is ultimately responsible to the LAS Board of Trustees.

The Communications Officer will also work closely with LAS’s Advocacy and Communications, International and Partnership, Events and Professional Development Groups.

The Communications Officer will also be required to maintain strong links with LAS members and to identify and be responsive to their needs and wishes.

The Communications Officer will be expected to forge effective working relationships with the press and broadcast media at national and local level.

Remuneration and Conditions

The estimated time commitment equates to 2.5 days per week for an initial contract period of one year based on a daily rate of £150.00.

It is anticipated that the Communications Officer will work either from home or from within an existing literature organisation.

About Literature Alliance Scotland

Literature Alliance Scotland (LAS) is the collective voice for literature and languages in Scotland. It is Scotland’s largest network for literature and languages, bringing together writers, publishers, educators, librarians, literature organisations and national cultural bodies. Formed in spring 2015 as successor to its forerunner, the Literature Forum for Scotland, LAS is now looking to expand its membership in order to ensure that in seeking to speak for literature’s interests the organisation is fully representative of the wide scope of literature in Scotland.  LAS’s aim is to take a greater role in campaigning and advocacy for the needs of literature and languages in Scotland; and it will hold annual summits and discussion events on topics of national and international relevance for the literature constituency. LAS will also hold one of its four members’ meetings in a different area of Scotland on a regular annual basis in order to meet and discuss with those working in literature.

Recently granted SCIO status, LAS has become a membership organisation. Its income is based on membership subscriptions and it also receives funds from Creative Scotland.

Further information about LAS can be found on the website: www.literaturealliancescotland.co.uk

May 2016

 

May 31, 2016
Literature Alliance Scotland seeks new Communications Officer

LAS Becomes a SCIO

Literature Alliance Scotland (LAS) has become incorporated as a Scottish Charitable Incorporated Organisation (SCIO) with effect from 4 March 2016. This means that it is now is an incorporated body having charitable status under the Charities and Trustee Investment (Scotland) Act 2005, and has been entered into the Scottish Charity Register by OSCR, the Scottish Charity Regulator.

March 4, 2016
LAS Becomes a SCIO