A collective voice for literature and languages in Scotland

Open letter from Scotland’s writers to protect literature budget

Dear Editor,

The Scottish Government is preparing a budget which will have major consequences for the future health of the nation. All the signs suggest that culture in general could face devastating cuts. We are calling for the government to increase funding for the arts and literature, for the good of everyone in Scotland.

As writers who have built our careers while living here, or who have retained a close connection with the country even though we live elsewhere, we have benefited from Scotland’s long-standing commitment to making culture and the arts accessible for all – both in building readership for our work, but also in supporting the creation of our books. Some of us have received grants to help us write our books, while others have benefited from training and mentoring schemes for emerging writers. Our entrepreneurial publishers and our much-loved libraries have received vital support to publish and distribute books as widely as possible, while Scotland’s internationally-respected book festivals have achieved great things with small amounts of funding and have brought our work to worldwide attention.

Supporting literature is not a drain on the country’s resources: books make an enormous contribution to the country, financially and reputationally. Our writers tour the world, talking about Scotland and its culture at book festivals from Guadalajara to Jaipur and from Reykjavik to Auckland. Our books are an advertisement for Scotland, attracting tourists to visit the landmarks they’ve read about, and foreign students to come on summer schools here – not to mention the visitors who come especially for our festivals.

Harry Potter; The No. 1 Ladies’ Detective Agency; The Gruffalo – these are just some of the many international success stories that have been helped by Scotland’s literary support system. At the same time, key works of non-fiction such as Tom Devine’s The Scottish Nation and poetry from authors including Liz Lochhead and Jackie Kay have helped us better understand Scotland and its place in the world today. With more public support, writers can encourage diversity, inclusion and literacy, not to mention boosting Scotland’s economy.

Of course there are difficult budget decisions to make in times of austerity, but the cost of supporting literature only amounts to a tiny fraction of the overall money the government will spend. When it comes to the arts and literature, for a modest investment from the government our work generates enormous financial and cultural dividends.

Will future generations look back on the early 21st century and lament the absence of the next Muriel Spark, the next Robert Louis Stevenson, the next Edwin Morgan? We can’t be certain. But without support from the government, Scotland will surely damage one of its prize assets: its world-renowned literary heritage. What an irony we could be facing: a country which trumpets its First Minister’s Reading Challenge on the one hand, but which cuts funding to new writers on the other.

Yours,

Leila Aboulela

Lin Anderson

Kate Atkinson

Sian Bevan

Alan Bissett

Chris Brookmyre

John Burnside

Ron Butlin

Aonghas Padraig Caimbeul/Angus Peter Campbell

Karen Campbell

Nora Chassler

Regi Claire

Jo Clifford

Jenny Colgan

Stewart Conn

Stuart Cosgrove

Linda Cracknell

Jim Crumley

Christine De Luca

Meaghan Delahunt

Professor Sir Tom Devine

Imtiaz Dharker

Anne Donovan

Ever Dundas

Michel  Faber

Jenni Fagan

James Fergusson

Laura Fernandes

Charlie Fletcher

Aminatta Forna

Ronald Frame

Gavin Francis

Viv French

Janice Galloway

Magi Gibson

Harry Giles

Debi Gliori

Alasdair Gray

Alex Gray

Keith Gray

Andrew Greig

Kirsty Gunn

Robin Harper

Bill Herbert

Laura Hird

Richard Holloway

Kerry Hudson

Sandra Ireland

Kathleen Jamie

Jamie Jauncey

Tiffany Jenkins

Brian Johnstone

Doug Johnstone

Pat Kane

Kapka Kassabova

Jackie Kay

AL Kennedy

David Kinloch

Elizabeth Laird

Sue Lawrence

William Letford

Jenny Lindsay

Liz Lochhead

Kirsty Logan

Colin MacIntyre

Ken MacLeod

Aonghas MacNeacail

Kevin MacNeil

Iain Macpherson

Graeme Macrae Burnet

Sara Maitland

Willie Maley

Allan Massie

Peter May

Alexander McCall Smith

Helen McClory

Rachel McCrum

Val McDermid

Lesley McDowell

Denise Mina

Aidan Moffat

Donald S Murray

Liz Niven

Maggie O’Farrell

Andrew O’Hagan

Don Paterson

Mary Paulson-Ellis

Tom Pow

Chitra Ramaswamy

Ian Rankin

Alan Riach

Lucy Ribchester

James Robertson

David Robinson

Dilys Rose

Peter Ross

James Runcie

Helen Sedgwick

Sara Sheridan

John Gordon Sinclair

Ali Smith

Donald Smith

Alan Spence

Gerda Stevenson

Linda Strachan

Charlie Stross

William Sutcliffe

Malachy Tallack

Alan Taylor

Suria Tei

Alice Thompson

Ryan Van Winkle

Irvine Welsh

Louise Welsh

JL Williams

Kevin Williamson

James Yorkston

Davy Zyw

The letter has been featured in the following publications and has been sent to the Scottish Government Cabinet Secretaries for their views.

The Times

Guardian

The Herald

The Bookseller

December 5, 2017

Saltire Literary Awards announced!

Congratulations to the winners – and all shortlistees – of the 2017 Saltire Literary and Publishing Awards, announced on St Andrew’s Day, Thursday 30 November 2017, at Central Hall in Edinburgh.

Border: A Journey to the Edge of Europe, looking at the borderlines that exist between countries, cultures and people was announced as the Scottish Book of the Year by the Deputy First Minister John Swinney MSP at the Saltire Literary Awards 2017. 

Describing the book, the judges noted: ‘If ever there was a book for our times, it is Border: A journey to the Edge of Europe, delves into the stories of when the lines that separate countries on the map harden once more after their Cold War thaw. It is at once timely and timeless, with Kassabova – the poet and travel writer by trade – blending skills to spin something truly magical, and sadly, entirely necessary.’

Now firmly established as Scotland’s most prestigious annual book awards, the Saltire Society Literary Awards are supported by The National Lottery through Creative Scotland and celebrate and support literary and academic excellence across six distinct categories.

The winner of each individual book award wins a £2,000 cash prize and goes forward to be considered for the Saltire Book of the Year award and an accompanying cash prize of £3,000.

Announced at the Saltire Literary awards ceremony was the winner of the 2017 Saltire Publisher of the Year Award, which went to Birlinn, who  over its 25 years of publishing, Birlinn has consistently produced interesting, important and quality books with high production values.

Only in its second year, the winner of the Saltire Emerging Publisher of the Year Award was also announced as being presented jointly to founders of indie publisher 404Ink, Laura Jones and Heather McDaid, whose dedication and innovation are changing the face of modern Scottish publishing.

Information courtesy of Saltire Society. 

December 1, 2017

Protect the culture budget – write to your MSP

We’re calling on our members – and Scotland’s literature and languages community – to take action and write to Finance Cabinet Secretary Derek Mackay MSP and their local MSP to urge them to protect the culture budget.

We must ensure MSPs understand that we want to live in a literary nation and it is their job to invest in and support the development of that literary nation.

Use the info we’ve supplied in this template letter – but also draw on your own experience and the difference festivals, books, libraries, literature programmes have made to your life, your family and your community.

This is important. It will only take 10 minutes. Please post or email your letter by Friday 1 December.

 

Contact details

Derek Mackay MSP
Cabinet Secretary for Finance and the Constitution
T4.07
The Scottish Parliament
Edinburgh EH99 1SP

Email: CabSecFC@gov.scot

Find your local MSP here: http://www.parliament.scot/msps.aspx

 

Below is our letter posted to Mr Mackay, from LAS Chair Peggy Hughes.

—-

Dear Derek,

Please protect Scotland’s culture budget

My name is Peggy Hughes, I am Chair of Literature Alliance Scotland, which represents the principal literature and languages organisations in Scotland, and I write to ask you to ensure continued financial support for literature programmes in Scotland in the forthcoming budget.

While I appreciate you face difficult decisions when balancing the budget, the argument for investment in culture is strong. Scotland’s arts and culture sector is one of the most efficient and dynamic in our nation:

At £293 million, total spending on culture, tourism and external affairs represented less than 1% of the 2016-17 Scottish budget. Yet arts and creative industries contribute 3% of the gross value added to the national budget.

In 2015/16 Creative Scotland’s Regular Funded Organisations attracted £109million of extra investment from sources other than public funds and created 1.62 million public participation opportunities.

In 2015, 92% of adults in Scotland participated in a cultural activity and Scotland’s Creative Industries contributed £4.6billion GVA to the Scottish economy, supporting 73,600 jobs.

Scottish literature puts us on the international map and attracts business through publishing, bookselling and cultural tourism. Scotland has more than 100 active publishing houses, producing over 3000 new books a year, employing +1600 people, and generating an annual turnover of c£150 million. The country’s 45 plus book festivals include the world’s largest, and book festivals attract millions to Scotland’s local economies. A third of visitors to Scotland cite history and culture as a key motivation to visit, especially overseas and long-haul visitors.

Given the huge added value the cultural sector brings to Scotland’s economy, society and business community, it is clear that public investment in culture offers outstanding value for money.

Literature is a success story for Scotland and we appeal to the Scottish Government to invest in Scotland’s literature for the future.

Cuts to the public funding that supports the literary infrastructure in Scotland – the bedrock of a cultural offer recognised worldwide for its quality – will undoubtedly lead to the disappearance of many irreplaceable arts organisations and literary infrastructure which support our readers, storytellers, writers, and publishers.

Reading is Scotland’s favourite cultural activity, which brings with it important health benefits. In fact, a 2013 study conducted by the Scottish Government shows clear and significant links between cultural participation and improved health and wellbeing.

Right now, we are punching above our weight across all the creative sectors. Ours is a proud, confident, pioneering nation with a long reach. On behalf of our members, our communities and the young people of the future, we implore you: let’s not fall behind. Please protect the arts and culture.

Yours sincerely,

Peggy Hughes
Chair of LAS

 

Literature Alliance Scotland Membership at November 2017

Members

  • Association for Scottish Literary Studies (ASLS)
  • Association of Scottish Literary Agents (ASLA)
  • Bookdonors CIC
  • CILIPS (Chartered Institute of Library and Information Professionals in Scotland)
  • Edinburgh International Book Festival
  • Edinburgh UNESCO City of Literature Trust
  • The Gaelic Books Council
  • Moniack Mhor
  • National Library of Scotland
  • Peter Pan Moat Brae Trust
  • Playwrights’ Studio Scotland
  • Publishing Scotland
  • The Saltire Society
  • Scottish Book Trust
  • Scottish Language Dictionaries
  • Scottish Library and Information Council (SLIC)
  • SLAM (Scottish Literary and Arts Magazines)
  • Scottish Society of Playwrights
  • Scottish PEN
  • Scottish Poetry Library
  • Scottish Storytelling Forum
  • Scottish Writers Centre
  • Society of Authors in Scotland
  • Universities Committee for Scottish Literature
  • Wigtown Festival Company
  • Writers’ Guild of Great Britain (Scottish Region)

 

Network Associates

  • Ayton Publishing
  • Emergents CIC
  • Florida State Universities Library
  • Indie Authors World
  • Royal Botanic Gardens Edinburgh
  • Stirling Centre for International Publishing and Communication @ Stirling University
  • The Poetry Association of Scotland.
November 30, 2017

#ScotBookFlood: Celebrating Scottish-Nordic Literary Links

With Book Week Scotland 2017 kicking off today, Publishing Scotland is delighted to announce ScotBookFlood. Inspired by the unique tradition of book gifting in Iceland, Jolabokaflod, ScotBookFlood will celebrate Scottish-Nordic links and encourage thoughtful book giving in the run-up to Christmas.

Jolabokaflod (which translates roughly as ‘Christmas book flood’) is the Icelandic tradition of giving books to one other on Christmas Eve and then spending the night reading. It’s such a popular custom that it is the reason why the majority of books in Iceland are sold between September and December.

ScotBookFlood reflects the recent Arctic Circle Forum in Edinburgh, at which First Minister Nicola Sturgeon emphasised the importance of continuing to forge strong relationships between Scotland and its northern neighbours. Iceland and the UK publish more books per capita than any other countries, and with more books sold in the run-up to Christmas than any other period, ScotBookFlood presents a timely opportunity to highlight dynamic Scottish-Nordic cultural connections.

Kristín Viðarsdóttir, Head of International Cooperation at Reykjavík City of Literature, comments: “Our literatures have crossed paths through the ages as have our people and our languages. We can trace our connection to the very settlement of Iceland, as many of our ancestors came here from the British Isles.”

Marion Sinclair, CEO of Publishing Scotland, says: “The vibrant publishing scene in Scotland moves into the spotlight during Book Week Scotland, and with Christmas ahead, this is a hugely busy time for publishers and bookshops. An increasing emphasis on book design and creating beautiful books these days means ScotBookFlood is an excellent opportunity to showcase books as the perfect gift.”

Duncan Furness, Senior Bookseller at Topping and Company Booksellers in St Andrews, one of Scotland’s newest bookshops, echoes this: “The gift of a book at Christmas provides much more than a diverting story or set of facts. Books contain entire worlds, and have the power to change our perception with every read and re-read. They are paper treasures which last a lifetime.”

The #ScotBookFlood digital campaign is delivered throughout Book Week Scotland (from 27 November to 3 December) via social media and the Books from Scotland website. Books from Scotland features a special ScotBookFlood issue launched today. Highlights include:

  • Interview with best-selling author Matt Haig about his new book for children Father Christmas and Me.
  • Exploring Edinburgh and Reykjavík as UNESCO Cities of Literature.
  • Exclusive Scottish gin cocktail recipe, inspired by Iceland’s volcanic outdoor pools.
  • Acclaimed author Kirsty Logan recalls sheep, wild swimming, and solitude in an article about her writing residency in rural Iceland.
  • Scottish Publishers reveal what Scottish books they will give this Christmas.
  • Extract from McSmörgåsbord: What Post-Brexit Scotland Can Learn from Our Northern Neighbours by Eberhard Bort and Lesley Riddoch.
  • Giveaways of books for adults and children.
  • Pinterest boards highlighting Scottish-Nordic literary links.

Author Kirsty Logan, who features in the ScotBookFlood campaign, remarks “I’ve always been inspired by the idea of north, and my time in Iceland strengthened and sweetened my northern heart. To say it’s a place of pure, terrifying magic is an understatement.”

This week, Books from Scotland and Publishing Scotland will ask about what Scottish books people plan to give this Christmas, or what books from Scotland people plan to read over the festive period. They invite the public to join the conversation, using hashtags #ScotBookFlood, #BookWeekScotland, and tweeting @scottishbooks.

[ENDS]

Notes for Editors

  • Publishing Scotland is the trade, network and development body for the Scottish book publishing sector. For more information visit www.publishingscotland.org and its books site www.booksfromscotland.com.
  • Book Week Scotland, a Scottish Government initiative, is the annual celebration of books and reading, facilitated by Scottish Book Trust. It runs from Monday 27 November to Sunday 3 December 2017.
  • Edinburgh was the first UNESCO City of Literature in the world. Reykjavík became the fifth UNESCO City of Literature in August 2011 and was the first non-English speaking city to join the Cities of Literature Network.
  • The Books from Scotland ScotBookFlood Issue is live at www.booksfromscotland.com/issue/scotbookflood. See alsoBooks from Scotland on Twitter (@scottishbooks) and Pinterest.
  • We are available for interview on topics relating to the ScotBookFlood campaign. Please contact Gill Tasker –gill.tasker@publishingscotland.org or call 0131 228 6866. Campaign logos and images are available on request from Gill Tasker.

 

November 27, 2017
#ScotBookFlood: Celebrating Scottish-Nordic Literary Links

Open Letter: We hope Government will continue to recognise the value of public funding of the arts

The Editor, The Herald

The cultural sector in Scotland awaits the UK Government’s budget announcement on Wednesday this week with trepidation: a perfect storm approaches.  Stark warnings have been issued to prepare for significant financial challenges. But further cuts to the public funding that supports the arts and its infrastructure in Scotland, the bedrock of a cultural offer recognised worldwide for its quality, will undoubtedly lead to the disappearance of many irreplaceable arts organisations.

The sector in Scotland has already weathered cuts of more than a third in real terms since 2010, including a year-on-year collapse of Lottery funding, which until now has been used to shore up Creative Scotland’s core funding for theatres, galleries, venues, literature, and more.  Creative Scotland would need an increase of 48% or £22m on the 2016 budget simply to match the real-term level of 2010.  Arts Council England, by contrast, this year announced £170m in new investment to support 180 additional National Portfolio Organisations.

Core funding reductions are compounded by threats from other areas:  if Barclay Review recommendations are implemented, millions would be wiped from the budgets of arts venues across Scotland.  Culture is not a protected spend, so further cuts to Local Authority budgets will wipe out grass roots community arts activities.

We welcome the positive public statements made by the Scottish Government in acknowledging the central role culture plays across our society, and we applaud the major new investments in film and the Edinburgh Festivals, The Burrell Collection and The V&A in Dundee. Clearly, the will to support arts and culture exists at the highest level.

However, big flagship investments cannot substitute for the basic funding that our everyday, small-to-medium sized cultural groups need to exist. If these disappear, which many will if predictions about cuts to Regular Funding Organisations (RFOs) are correct, how will we nurture and sustain the highly skilled but low-paid artists who deliver arts, culture and creative experiences to audiences across every community in Scotland?

We are clear that we have now arrived at a tipping point where even a small cut to Creative Scotland’s Grant-In-Aid, alongside the reduction in Lottery funds and local authority cuts, will devastate Scotland’s arts and culture infrastructure.  Damage to this infrastructure, developed with the aid of public investment over the last fifty years, will be irreversible. This cannot be overstated.

Conversely, a very small increase in funding would allow the core infrastructure of arts and culture in Scotland to survive and to thrive.

The argument for investment is strong. The arts and culture sector is one of the most efficient and dynamic in the country. In 2015/16 RFOs attracted £109m of extra investment from sources other than public funds and created 1.62 million public participation opportunities. In 2015, 92% of adults in Scotland participated in a cultural activity and Scotland’s Creative industries contribute £4.6bn GVA to the Scottish economy, supporting 73,600 jobs. These outcomes draw from, and depend on, skills identified and developed by the arts.

We are proud to live in a country that values arts and culture for its own sake as well as for its wider societal impact on health, education, justice and communities.  Government funding is vital to this ecosystem. We write to ensure the potential impact of further cuts is fully understood, and we ask the Scottish Government to demonstrate that understanding in the Draft Budget to come.

Yours faithfully,

Seonaid Daly, Director, Scottish Contemporary Art Network

Marc Lambert, Literature Alliance Scotland

Jan-Bert van den Berg, Director, Artlink Edinburgh & Lothians

Fiona Logue, Director, Craft Scotland

Dave Watson, Head of Policy and Public Affairs, Unison

Claire Stewart, Director, Creative Edinburgh

David Francis, Director, Traditional Music Forum

Jude Henderson, Director, Federation of Scottish Theatre

David Watt, Chief Executive, Arts & Business Scotland

Janie Nicoll, former President, Scottish Artist Union

Sara Graham, CC Skills, Nations Director

Robert Livingston, Director, Regional Screen Scotland

Diana A Sykes, Director, Fife Contemporary

The letter appeared in The Herald on Tues 21 November 2017 here, and was also covered by Phil Miller online here.

 

 

November 21, 2017

CPG on Culture – 5 Dec 2017

The next CPG on Culture will be held on Tuesday 5 December 2017 between 5.30pm-8.00pm at the Scottish Parliament in Committee Room 2.

The meeting will look at Intangible Cultural Heritage.

  • 5.30-6pm – Social Discussion
  • 6-610pm – Introducing Intangible Cultural Heritage: Heather Doherty, Research Co-ordinator, Museums Galleries Scotland
  • 6.10-6.15pm – Illustration of Intangible Cultural Heritage: Kate Sloan and Elma Clark, Sanquhar Knitters
  • 615-6.45pm – Panel Discussion featuring: David Francis, Associate Director, TRACS; Simon Hayhow, Director, Scottish Fisheries Museum; Máiréad Nic Craith, Chair in European Culture and Heritage/Director of Research/Director of Intercultural Centre, Heriot-Watt University 
  • 6.45-8pm – Group Discussion

Due to room capacity only 60 non-MSPs can be accommodated at the meeting, so booking is essential. Secure your spot by emailing Kirstin.MacLeod@creativescotland.com 

 

SPEAKER BIOGRAPHIES

Heather Doherty, Research Co-ordinator, Museums Galleries Scotland 

Heather Doherty has been involved in MGS’ work relating to intangible cultural heritage (ICH) since 2008, including international activity and Scotland specific activity. Heather was part of the MGS team for the redevelopment of the ICH in Scotland website and for the organisation of the international ICH Symposium “For Everyone” in November 2015. She has worked in partnership with TRACS to deliver ICH workshops throughout Scotland, and presented at the TRACS St Andrews Day ICH event in 2016. Heather has attended meetings of the ICH NGO Forum and UNESCO meetings relating to the ICH convention.

Kate Sloan, Sanquhar Knitters 

Kate has been a knitter for over forty years. She has worked on the Sanquhar project since it started three years ago. Kate had always had a link to the pattern as she lives locally. She had her family and then the project helped resurrect her skills. She works as a volunteer on the project and has assisted in training many new members of the community with her skills, knowledge and patience.

Elma Clark, Sanquhar Knitters 

Elma is the knitting supervisor for the project. She has been a knitter for over forty years. Elma enjoyed knitting as it helped her work from home when she lived in a rural area and she could work from home and bring up her family. Elma worked for local company who did produce Sanquhar patterned products. Elma is dedicated to ensuring that the heritage of the pattern is passed on.

David Francis, Associate Director, TRACS 

David Francis is Associate Director of TRACS (Traditional Arts and Culture Scotland) and Director of Scotland’s Traditional Music Forum. He compiled a report into traditional music for the Scottish Arts Council in 1999 and chaired the Scottish Government’s Working Group on Traditional Arts which reported in 2010.

Away from the desk, he is a dance-caller and storyteller, and as a guitarist and songwriter was one half of The Cast (with Mairi Campbell), producing 6 albums. He co-produces Distil, a long-running, creative development project for traditional musicians and is currently completing a Masters in Ethnology and Folklore at Aberdeen University.

Simon Hayhow, Director, Scottish Fisheries Museum 

Simon is Director of the Scottish Fisheries Museum, a post he has been in for over ten years. Before that, Simon was Curator of Natural Sciences at Lancashire County Museum Service for eighteen years, with previous museum posts in Rotherham, Oldham and Plymouth. In addition, he has worked for a range on conservation organisations, specialising in upland bird survey work. www.CPGonCulture.com

Máiréad Nic Craith, Professor of Cultural Heritage, Heriot-Watt University 

Máiréad Nic Craith is Professor of Cultural Heritage in the School of Social Sciences at Heriot-Watt University (Edinburgh, Dubai and Malaysia). Her publications on heritage include edited volumes such as Cultural Heritages as Reflexive Traditions (2007 with Ullrich Kockel), Cultural Diversity, Heritage and Human Rights (2010 with William Logan and Michele Langfeld) and The Blackwell Companion to Heritage Studies (with William Logan and Ullrich Kockel in 2015). In 2011, she was invited by the United Nations as an expert on access to heritage as a human right. Her TEDx talk on intangible heritage is below.

November 15, 2017

The Lights Go On Again – #wordsonthestreet

Stars & Stories is an illuminated walking trail around the Canongate area of Edinburgh’s Old Town.

For the second year, Stars & Stories adds some sparkle to a winter evening walk with 24 beautiful light boxes displaying quotations which shine a light on the print and publishing history of the Canongate area.

The trail of Words on the Street stretches from the Scottish Storytelling Centre in the middle of the Royal Mile down through the Canongate to the Scottish Parliament,forming an hour long tour.

The boxes are lit between 4pm and 11pm each evening, from November until February 2018.

A map, with more information about the quotations, is available from the iCentre on Waverley Mall or for download here.

Discover the background to the quotations on the website and share your photos with @EdinCityofLit using #wordsonthestreet

Stars & Stories is supported by LitLong, the free app to explore the literary city. With thousands of book extracts pinned to locations around the city, it’s the perfect way to create your own walking trails and discover the hidden words of Edinburgh.

Information and image courtesy of Edinburgh City of Literature. 

November 10, 2017

This is it! Scotland’s literary talent in the spotlight at cabaret event

Author Louise Welsh, poet William Letford (l) and Francis Bickmore of Canongate Books.

Best-selling author Louise Welsh and award-winning poet William Letford are set to headline an inaugural literary cabaret taking place this month, which shines a light on the nation’s literary scene in 2017.

The fast-paced, 90-minute show – called This Is It! –  will highlight the year’s literary happenings across five strands – publishing, book festivals, school and public libraries, writers, and the international perspective.

Fiona Hyslop MSP, Cabinet Secretary for Culture, Tourism and External Affairs will open this first public event from Literature Alliance Scotland (LAS) – the nation’s largest network of literature and languages organisations – on Wednesday 23 November from 7pm at Central Hall, Edinburgh.

Speakers include, respectively, Canongate Books’ Publishing Director Francis Bickmore, Adrian Turpin, Artistic Director of Wigtown Book Festival, and Pamela Tulloch, Chief Executive of Scottish Libraries Information Council (SLIC).

Poet William Letford, who hails from Stirling, will cover writer development and perform a reading of his poem This Is It from which the event takes its name.

Closing the show will be Glasgow-based author, Louise Welsh, who will speak about Scotland’s books and literature on the international stage as well as the importance of literary exchange between nations.

In addition, attendees will be able to browse and buy books from Scotland’s writers and publishers courtesy of Blackwell’s Bookshop, Edinburgh while librarians from South Lanarkshire’s digital library programme ‘ACTIVEe’ will be on hand to demonstrate 3D printers which are now available in all of Scotland’s public libraries.

Peggy Hughes, Chair of LAS said:

“With over 40 book festivals a year, ambitious new publishing houses such as 404ink emerging, stalwarts such as Birlinn celebrating 25 years, another Man Booker shortlisting for Ali Smith, Muriel Spark’s centenary on the horizon, not to mention the many, many Scottish books and authors that are going into the world every day and taking our stories and voices with them, it seemed high time that we take a moment to celebrate the wealth of our literature sector and shout about its cultural and social value.”

“At a time when Scotland’s Culture Strategy is being developed, it’s vital that we champion our sector and all the talented people working within and for it. Our literary cabaret is a chance for everyone with an interest in Scotland’s literature and book community to gather together and say, ‘This is it, this is a snapshot of what’s been happening this year’. It’s about carving out a space to celebrate the wonderful success, highlight the exciting potential and address the challenges. That’s why we’re so delighted that Fiona Hyslop is officially opening the event and giving this rich and vibrant sector the recognition it deserves.”

Culture Secretary Fiona Hyslop said:

“Scotland’s distinguished literary culture is a notable part of our national identity. It also attracts visitors to Scotland and raises our cultural profile around the world.

“I am pleased that the Literature Alliance Scotland is extending its reach beyond its membership of key individuals and agencies which promote writers and publishers to engage with the public.

“We are doing all we can to support the literary sector to ensure this rich legacy is maintained and strengthened in future years. We do this through for example our support for Creative Scotland, literacy, libraries, festivals, Book Week Scotland, the First Minister’s Reading Challenge and the post of Makar.”

Jenny Niven, Head of Literature, Languages & Publishing, Creative Scotland, said:

“We have a unique, distinctive and rich cultural asset in literature that not only makes an enormous impact to people’s lives in Scotland but also enhances our reputation internationally.  From poets to storytellers, screenwriters and playwrights the quantity and quality of writing being published here is truly inspiring. This is It! and Literature Alliance Scotland creates an important opportunity to bring together authors, publishers, libraries, festivals and literary organisations, and champion the work being done to make literature more visible to a greater number of people. We look forward to continuing this work with Scottish Government, partner agencies and individuals to create the best conditions to support a thriving literature and publishing sector in Scotland and internationally.”

This Is It! is hosted by Siân Bevan and tickets are £7 /£6 – https://this-is-it-literary-cabaret-2017.eventbrite.com/

-Ends-

Issued by JK Consultancy on behalf of Literature Alliance Scotland. For further information, please contact LAS Communications Officer Jenny Kumar on 07989 557198 / jenny@jkconsultancy.com

Notes to Editor

Literature Alliance Scotland, a membership organisation, represents the principal literature and languages organisations in Scotland, and is committed to advancing their interests at home and abroad. We exist to provide a strong, trusted collective voice on their behalf. Formed in Spring 2015, LAS is a successor to the Literature Forum for Scotland. For further information visit www.literaturealliancescotland.co.uk or follow us on Twitter: @LitScotland

Creative Scotland is the public body that supports the arts, screen and creative industries across all parts of Scotland on behalf of everyone who lives, works or visits here. We enable people and organisations to work in and experience the arts, screen and creative industries in Scotland by helping others to develop great ideas and bring them to life. We distribute funding provided by the Scottish Government and the National Lottery. For further information about Creative Scotland, please visit www.creativescotland.com Follow us @creativescots and www.facebook.com/CreativeScotland

November 6, 2017
This is it! Scotland’s literary talent in the spotlight at cabaret event

Scottish Libraries receive Carnegie UK Trust Funding

Public libraries across the UK, including 2 in Scotland, are to receive new funding to help their communities explore major health and wellbeing issues including stress, obesity, body image and even death in new ways.

The ‘Engaging Libraries’ funding, announced by the Carnegie UK Trust and global charitable foundation Wellcome, will support libraries to engage local people in imaginative and interactive projects exploring health and wellbeing.

Libraries in East Dunbartonshire will engage with young and older people to explore brain development at different stages in life, and use the celebration the Year of Young People to work with young people and make intergenerational links via a project called Brainworks.

Dundee libraries’ project Talking ‘Bout Teddies will work with Dr Zeedyk to highlight the importance of teddies to children’s wellbeing, by recording and screening stories and short films of children and adults talking about their teddies and hosting a public lecture on attachment as part of the Dundee Science Festival.

Information courtesy of CILIP in Scotland.

October 31, 2017

Muriel Spark 100: Centenary Celebrations

First details announced for nationwide programme of events & activities celebrating the life & work of Dame Muriel Spark: November 2017 – November 2018

Centenary website goes live: www.murielspark100.com @MurielSpark100 #murielspark100

Organisers encourage people to get involved

Launch of new fund for artists & groups to develop & present work

Advice available to those planning activities

Today, Thursday 26 October 2017, the first details are announced for Muriel Spark 100 – a year-long, nationwide programme of literary and cultural events and activities marking the centenary of one of Scotland’s finest and most internationally respected writers, Dame Muriel Spark.

Watch the promotional video:

Trailer_Muriel_Spark_100 from Creative Scotland on Vimeo.

 

Led by Creative Scotland and the National Library of Scotland in collaboration with a host of partner individuals, groups and organisations, today’s news coincides with:

  • the launch of a dedicated centenary website murielspark100.com
  • new funds for artists and groups to develop and present new work as part of the centenary year
  • a call out by Muriel Spark 100 organisers to anyone with plans to mark the centenary, to be in touch.

Events and activities already confirmed include the re-publication of all 22 of Spark’s novels by Polygon, an imprint of Birlinn ltd (from Nov ‘17); the unveiling of Spark’s extraordinary archive at a landmark National Library of Scotland exhibition (Dec ‘17-May ‘18); leading Scottish writers Ali Smith, Val McDermid, Janice Galloway, Kate Clanchy and Louise Welsh reflecting on Spark’s career in a new BBC Radio 3 series (Jan ‘18); an international conference bringing together fans and academics to explore all aspects of Spark’s writing (Jan/Feb ‘18); Edinburgh Spy Week’s ‘18.

Commenting, Muriel’s great friend Penelope Jardine said: “Muriel’s contribution to Scottish Letters is one of manifest originality, brevity of wit, with the musical composition and rhythms of a poet. Something unforgettable sui generis.”

The initiative has been welcomed by Scotland’s Culture Secretary Fiona Hyslop: “I’m really excited about the forthcoming celebration of Muriel Spark 100. Dame Muriel Spark was one of Scotland’s literary giants and, to this day, her work continues to inspire generations of readers and writers and resonates with audiences across the country and beyond.

“I commend Creative Scotland, the National Library of Scotland and all the other partners involved for delivering such an engaging and varied programme of activity and I am looking forward to attending some of these events next year.”

As details are confirmed they will be announced through the newly launched website www.murielspark100.com and posted through the following channels:

@MurielSpark100 / #murielspark100 / facebook.com/murielspark100

Muriel Spark 100 Chair and Creative Scotland Head of Literature, Publishing and Languages, Jenny Niven said: “The centenary of Dame Muriel Spark’s birth is both a landmark moment and an unparalleled opportunity to permanently influence the way in which this leading figure of Scotland’s cultural history features in the public imagination.

“There is so much to explore in Ms Spark’s work, from her incisive commentary, to her startling poetry, to her ability to effortlessly weave folk tradition with biting satire. It’s a particularly interesting time too to consider her legacy, as a Scottish writer who was fiercely international in her approach and who broke through a great many barriers in her career.

“It’s testament to her range and relevance that so many Scottish organisations will engage with her work and legacy throughout 2018 and we are looking forward enormously to this varied and unusual programme. Creating space for contemporary writers and artists to reflect on Muriel Spark’s influence on them is also very important to this project and we hope to see some really exciting and ambitious proposals through the small grants fund in her name.”

National Librarian Dr John Scally said: “The opportunity to celebrate the life and work of Dame Muriel Spark is as exciting a prospect as opening one of her books for the very first time. She is one of Scotland’s finest ever writers and her reputation extends far beyond these shores. It is fitting therefore that the National Library of Scotland and Creative Scotland are marking the centenary of her birth with Muriel Spark 100 – a year- long programme of activity that promises to be lively, varied and engaging.”

SMALL GRANTS SCHEME

Awards of up to £1,500 are available to support people and projects across a range of art forms. The deadline for proposals is Monday 4 December 2017, with selected projects being announced in early 2018. Further details, funding guidelines and application form are available on Creative Scotland’s website here: www.creativescotland.com/murielspark100fund

MORE WAYS TO JOIN IN…

For those looking to develop events or who would like to mark the centenary in some way – from exhibitions to readings, talks to screenings – contact Muriel Spark 100 Project Coordinator Sabrina Leruste at s.leruste@nls.uk who can offer advice on promoting events as part of the Muriel Spark 100 programme and making connections with relevant counterparts.

Information on a cross section of programme highlights so far:

NATIONAL LIBRARY OF SCOTLAND – THE INTERNATIONAL STYLE OF MURIEL SPARK Fri 8 Dec 2017 – Sun 13 May 2018
National Library of Scotland, George IV Bridge, Edinburgh www.nls.uk/exhibitions

A major new exhibition revealing unique insights into Muriel Spark’s extraordinary life and work. Featuring personal artefacts never before seen by the public The International Style of Muriel Spark will showcase the National Library of Scotland’s Muriel Spark Archive which is one of the most comprehensive personal records of a writer’s life ever assembled.

The writer’s boxed archive covers the period from the 1940s until her death in 2006, taking up some 46 metres of shelving — just short of the height of Edinburgh’s famous Scott monument. The early records of wartime poverty that chart the struggles of an unknown author are joined by scores of diaries, fascinating letters including those with literary giants, world leaders and film stars, diaries, photographs, newspaper cuttings and school magazines all of which illuminate the inspirations behind Spark’s literary style, her love of fashion, and the significance of the places where she lived.

Colin McIlroy, Muriel Spark Project Curator, National Library of Scotland commented: “Muriel Spark was a self-confessed hoarder. She kept everything from school magazines to shopping receipts, photographs, desk diaries and letters from some of the biggest names in 20th century literature. This is what makes her archive so fascinating. The exhibition will allow us to showcase items never before seen by the public and, in the process, shed new light on an incredible life. It will illuminate her literary style, her love of fashion and the significance of the many places around the world in which she lived.”

PUBLICATION OF NEW EDITIONS OF ALL 22 MURIEL SPARK NOVELS

Publication dates: Nov 2017 – Sep 2018
Each book is priced at £9.99 (hardback). https://murielspark100.com/event/muriel-spark-novels- centenary-editions/

In a bold publishing move, all 22 novels written by Muriel Spark are being re-published by Polygon, an imprint of Birlinn ltd. Each novel will be published in a striking and collectable hardback centenary edition, carrying a series preface by editor Alan Taylor and an introduction by such well-known writers or critics as Ali Smith, William Boyd, Alexander McCall Smith, Candia McWilliam, James Wood, Andrew O’Hagan, Joseph Kanon, Zoë Strachan, Allan Massie, Kapka Kassabova, Dan Gunn Ian Rankin and Richard Holloway. Supported by Creative Scotland and The Muriel Spark Society.

The first four novels – The Comforters, Robinson, Memento Mori, and The Ballad of Peckham Rye – will be published in November 2017. A Far Cry From Kensington will be released early in January, with the next four – The Bachelors, The Prime of Miss Jean Brodie, The Girls of Slender Means, The Mandelbaum Gate – on the anniversary itself, 1st February 2018. The remainder will be published over the course of the following six months, finishing in September 2018.

“The Polygon team are delighted to republish all 22 of Muriel Spark’s quite perfect novels in striking, collectable, affordable editions. With the support of Creative Scotland and the Muriel Spark Society, and the drive of series editor Alan Taylor, all of them are being re-issued by Polygon between November 2017 and September 2018, putting her writing exactly where it should be – right at the heart of the celebrations for her centenary” – Jan Rutherford, Birlinn Ltd

Alan Taylor added: “Everyone knows that Muriel Spark was the author of The Prime of Miss Jean Brodie, which is undoubtedly one of the twentieth century’s great works of fiction. What too few people also know is that she wrote 21 other novels, all of which are infused with her trademark blend of fun and profundity, original thinking and peerless style.

“Now, for the first time, readers have the opportunity to read Spark at her sparkling best, in a uniform, covetable, hardback edition which even those of slender means can afford.”

BBC RADIO 3 AND ONLINE – ALL MISS BRODIE’S GIRLS?
Sun 29 Jan – Thur 2 Feb 2018 https://murielspark100.com/event/all-miss-brodies-girls/ 22.45-23.00 every night on BBC Radio 3 and online on the BBC Website and on i-player

Every night from Sunday 29 January until Thursday 2 February, leading Scottish writers Ali Smith, Val McDermid, Janice Galloway, Kate Clanchy and Louise Welsh will reflect on different aspects of the career of Muriel Spark in a series of essays on BBC Radio 3.

BBC SCOTLAND/BBC FOUR – MURIEL SPARK DOCUMENTARY

Early 2018 (exact date tbc) www.bbc.co.uk
Early in 2018, BBC Scotland and BBC Four will screen a documentary on the life and work of Muriel Spark. Presented by Kirsty Wark, the programme will explore the writer’s extraordinary life and work.

MURIEL SPARK CENTENARY SYMPOSIUM

Wed 31 Jan – Fri 2 Feb 2018
University of Glasgow, Senate, Carnegie & Melville Rooms, University Avenue G12 8QQ https://murielspark100.com/event/muriel-spark-centenary-symposium/
Booking information available soon

At the end of January, the University of Glasgow will host a 2-day symposium exploring all aspects of Spark’s writing. Film screenings and creative writing workshops are being planned alongside talks and discussions from Spark fans, distinguished academics and Scottish and international writers including Zoë Strachan, Louise Welsh and Ali Smith. Themes will cover humour, satire and transgression, faith and surveillance, writing and gender in Spark’s work.

Dr Helen Stoddart, Senior Lecturer in English Literature, University of Glasgow said: “The Muriel Spark Centenary Symposium at the University of Glasgow will be a celebration and a critical consideration of Scotland’s most cosmopolitan writer. Spark’s books and characters feature deep spiritual insight and slashing satirical comedy, the latter often portraying the petty confidence tricks that people employ. From the 1960s, when ‘condition of Scotland’ fiction was being demanded by the critical and cultural establishment, she gave the world instead, ‘condition of the human soul’ writing.”

APPOINTMENT IN AREZZO: A FRIENDSHIP WITH MURIEL SPARK by ALAN TAYLOR

Publication date: from mid November https://murielspark100.com/event/appointment-in-arezzo-a- friendship-with-muriel-spark-by-alan-taylor/ £12.99

Alan Taylor, longstanding friend and travel companion to Muriel Spark, editor of the Birlinn novels re-edition series, well-known literary journalist for over 30 years and author of many books will publish in November 2017 Appointment in Arezzo: A friendship with Muriel Spark.

An intimate, fond and funny memoir of one of the greatest novelists of the last century, this colourful, personal, anecdotal, indiscrete and admiring memoir charts the course of Muriel Spark’s life. With sources ranging from notebooks kept from his very first encounter with Muriel and the hundreds of letters they exchanged over the years,

Appointment in Arezzo offers an invaluable portrait of one of Edinburgh’s premiere novelists.

EDINBURGH SPY WEEK 2018 – SECRECY, SPIES AND MURIEL SPARK
April 2018 (exact date of talk to be announced soon)
National Library of Scotland, George IV Bridge, Edinburgh, EH1 1EW https://murielspark100.com/event/edinburgh-spy-week-2018-secrecy-spies-and-muriel-spark//

Edinburgh Spy Week is an annual week of public events focusing on spy fiction and film and the ways in which secrecy and spying run through our culture, organised by the University of Edinburgh with the National Library of Scotland, Edinburgh Filmhouse, and Blackwell’s. To tie in with the centenary, Spy Week 2018 spotlights the role of secrecy in the life and work of Muriel Spark. Spark was recruited into the Black Propaganda Unit of MI6 during WWII: ‘I played a small part’, Spark wrote, ‘but as a fly on the wall I took in a whole world of intrigue and method’.

The week of events will explore the ways in which this ‘world of intrigue and method’ play out in Spark’s writing, in which espionage, secrecy and spying often takes centre- stage.

Dr Simon Cooke, Department of English Literature, University of Edinburgh, said: “The idea of the event is to explore a pervasive cultural concern. While Spark wasn’t a spy out in the field, she had a career in political intelligence and she did meet a lot of people who were spies. It was a small part of her life in some ways, but if you look at her fiction, the notion of secrecy occurs with some frequency. Books like The Mandelbaum Gate, The Hothouse by the East River and Territorial Rights are, in many ways, spy novels.

“There are a lot of ways in which secrecy and secret agents have a very powerful pull on the imagination and what we want to do is respond to that and try to give interesting discussions, screenings and lectures by some of the key people who are thinking through these ideas.”

GLASGOW WOMEN’S LIBRARY EXHIBITION IN COLLABORATION WITH GLASGOW SCHOOL OF ART – MAKING SPARKS

Jun-Aug 2018 (exact date to be announced soon)
Glasgow School of Art https://murielspark100.com/event/making-sparks/

Since its inception in 1991, Glasgow Women’s Library has been collecting Muriel Spark’s work. Vintage gems in Spark’s cover art collection, many of which have been donated from Spark fans looking for a new home for their beloved books, will make up an exhibition that will show a colourful timeline of interpretations of Spark’s novels over the years.

Taking inspiration from these cover images, a group of first and second year students from Glasgow School of Art are working to create their own exhibition of illustration, and graphics. Showing from summer 2018, this will run alongside the cover art exhibition.

Adele Patrick, Lifelong Learning and Creative Development Manager at Glasgow Women’s Library said: “The Muriel Spark centenary is a hugely important event for Scotland as it provides us with the opportunity to honour one of our great literary talents. As one of only a few 20th century Scottish women writers to have her legacy recognised in this way, it poignantly and positively reminds us about the wider array of women writers from history that we risk forgetting.

“We are delighted to be working with long term collaborators Glasgow School of Art on a programme where young designers will mine the Glasgow Women’s Library Muriel Spark collection to create new illustrative interpretations.”

ARTS SCHOOLS ENGAGEMENT PROJECT

Nationwide, throughout 2018

Muriel Spark 100 is collaborating with Scottish arts schools to invite Illustration, Design and Animation tutors and lecturers to involve students in developing new work based on, or influenced by Spark’s work and/or life.

Glasgow School of Art, Edinburgh College of Art, Gray’s School of Art and Duncan of Jordanstone College of Art and Design are already on board with the project which will offer participating students opportunities to present their work through a variety of platforms as part of the Muriel Spark 100 programme.

Tutors and lecturers who would like to involve students in the project are invited to contact Sabrina Leruste, Muriel Spark 100 Project Coordinator for more information, at s.leruste@nls.uk. Deadline for submissions: Friday 30 March 2018.

WALKING TOURS – WALKING SPARK
From spring 2018
Throughout Edinburgh https://murielspark100.com/event/walking-spark/

Edinburgh City of Literature Trust will be partnering with Mercat Tours to launch Muriel Spark walking tours from Spring 2018. The tours will set Muriel Spark’s work in the context of the city, exploring the places that influenced and inspired her.
Further details and booking information be announced soon.

MEDIA CONTACT

For further press information/interviews/images please contact:
Wendy Grannon, Media Relations & PR Manager, Creative Scotland
E: wendy.grannon@creativescotland.com T: 0131 523 0016 / M: 07916 137 632

NOTES TO EDITORS

  1. Muriel Spark 100 is a year-long, nationwide programme of literary and cultural events and activities marking the centenary of one of Scotland’s finest and most internationally respected writers, Dame Muriel Spark.

The project is led by Creative Scotland and the National Library of Scotland in collaboration with a host of partner individuals, groups and organisations including: Association for Scottish Literary Studies, BBC, Birlinn publishing, Bookmark Festival, British Council, Dovecot Studios Duncan of Jordanstone College of Art and Design, Edinburgh College of Art, Edinburgh International Book Festival, Edinburgh UNESCO City of Literature, Filmhouse (Edinburgh), Glasgow Film Festival, Glasgow Film Theatre, Glasgow School of Art, Glasgow Women’s Library, Gray’s School of Art, Hospitalfield, Literature Alliance Scotland, Muriel Spark Society, National Galleries of Scotland, Saltire Society, Scottish Book Trust, Scottish Library and Information Council, Scottish Poetry Library, Scottish Review of Book, StAnza Festival, University of Edinburgh, University of Glasgow, Visit Scotland, Waterstones, Writers’ Museum

There are a number of ways to get involved in Muriel Spark 100:

Small grants are available to support people and projects across a range of art forms to develop and present work (deadline Mon 4 Dec 2017)

For those looking to develop events or who would like to mark the Centenary in some way – from exhibitions to readings, talks to screenings – contact Muriel Spark 100 Project Coordinator Sabrina Leruste at s.leruste@nls.uk who can offer advice on promoting events as part of the Muriel Spark 100 programme and making connections with relevant counterparts.

Further information and updates are available at www.murielspark100.com and posted through the following channels: @MurielSpark100 / #murielspark100 / facebook.com/murielspark100

  1. About Muriel Spark

Muriel Spark (née Camberg; 1 February 1918 – 13 April 2006) was a poet, writer of fiction, criticism and literary biography. Best-known as the author of The Prime of Miss Jean Brodie, Muriel Spark was at the top of her profession, internationally, for more than half a century and went on to win many literary awards. She received a number of honorary degrees, and was made a Dame Commander of the British Empire in 1993.

Never out of print, Muriel Spark wrote many well-known novels including The Driver’s Seat, The Girls of Slender Means and Momento Mori. Her work found critical approval, and her novels, where the supernatural and the surreal come into collision – and collusion – with the everyday, helped to change the face of fiction in the English language.

In the 1940s Spark decided to keep a record of her professional and personal activities, beginning an archive that is now one of the largest and most comprehensive held by the National Library of Scotland. http://digital.nls.uk/murielspark/

  1. Creative Scotland is the public body that supports the arts, screen and creative industries across all parts of Scotland on behalf of everyone who lives, works or visits here. We enable people and organisations to work in and experience the arts, screen and creative industries in Scotland by helping others to develop great ideas and bring them to life. We distribute funding provided by the Scottish Government and the National Lottery. www.creativescotland.com / @creativescots www.facebook.com/CreativeScotland.
  2. National Library of Scotland

The National Library of Scotland is a major European research library and one of the world’s leading centres for the study of Scotland and the Scots – an information treasure trove for Scotland’s knowledge, history and culture. The Library’s collections are of world-class importance. Key areas include digital material, rare books, manuscripts, maps, music, moving images, official publications, business information, science and technology, and modern and foreign collections. The Library holds more than 26 million physical items dating back over 1000 years in addition to a growing library of e-books, e- journals and other digital material. The collection includes over four million books, eight million manuscripts, two million maps and over 45,000 films and videos. Every week the Library collects around 3,000 new items. Most of these are received free of charge in terms of Legal Deposit legislation. www.nls.uk / @natlibscot / facebook

 

October 26, 2017

CPG on Culture: A Culture Strategy for Scotland

The Cross-Party Group on Culture discussed A Culture Strategy for Scotland at its meeting on Tuesday 5 September 2017. Watch the video of the debate below.

Speakers included:

  • Leonie Bell, Head of Cultural Engagement and Culture Strategy, Scottish Government
  • Allison Gardener, Programme Director, Glasgow Film
  • Lauren Ross, National Youth Arts Advisor, Young Scot
  • Heather Stuart, Chief Executive, Fife Cultural Trust

CPG on Culture, September 2017 from Creative Scotland on Vimeo.

If the video is not showing above, please view the video here.

October 18, 2017

Statement from Emergents Creatives

A statement from Emergents Creatives was released on 13 October as below:

From the 1st November 2017 our contracts with Highlands and Islands Enterprise to deliver, through Emergents, the XpoNorth Writing & Publishing and  XpoNorth Craft, Fashion & Textiles support will end.

Over the past three years we have had the great pleasure of working with some amazing businesses and wonderful creative people, it has been a privilege.

It is anticipated that support for creatives businesses will continue in some form through Highlands and Islands Enterprise (HIE), to keep up to date with news please sign up for the XpoNorth and HIE newsletters.

Thank you to everyone we have worked with, hopefully our paths will cross again in the future.

Peter Urpeth, Pamela Conacher & Avril Souter

Emergents Creatives Community Interest Company Ltd

October 14, 2017

2017 Saltire Literary Awards shortlist unveiled

Multi-award winning writers and household names James Kelman, Bernard MacLaverty and Denise Mina feature alongside emerging talents Ever Dundas and Kate Hunterin 2017 in the Saltire Literary Awards shortlists, unveiled last night (12th October).

The shortlists for the seven awards that make up the 2017 Saltire Literary Awards were officially announced at an event hosted at the Edinburgh West End branch of Waterstones and featured readings from last year’s winner of the Scottish Book of the Year Award, Kathleen Jamie.

Widely regarded as Scotland’s most prestigious book awards, the Saltire Literary Awards are organised by the Saltire Society, a non-political independent charity founded in 1936 which aims to celebrate the Scottish imagination.

Established writer John Burnside, one of only two poets to have won both the T. S. Eliot Prize and the Forward Poetry Prize for the same book, features in both the Poetry and Fiction Book Awards shortlists. He is up against new voices Em Strang and Jason Donald for the coveted prizes.

A collection of some of the most beautiful and historically significant maps from the National Library of Scotland’s archive, the exploration of the development of Muslim communities in Scotland, highlighting the ongoing changes in their structure and the move towards a Scottish experience of being Muslim, and a collection, covering 500 years of transgressive Gaelic poetry with new English translations all contribute to a rich line-up in the Research and Non-Fiction book of the Year Awards.

The Fiction Book of the Year shortlist features a number of acclaimed authors, including the latest novels from previous Saltire Literary Award winners James Kelman, Bernard MacLaverty and John Burnside. Also featured is Denise Mina,the first woman to win the McIllvanney prize for her shortlisted novel, The Long Drop.

The First Book of the Year shortlist is particularly varied, with beguiling historical tale Goblin by Ever Dundas, the interweaving of crime and taxidermy in Sandra Ireland’s Beneath the Skin alongside the candid life-memoir of an Italian Scot, Anne Pia.

2013 saw the Saltire Literary Awards expanded to see Publishers as well as writers celebrated for their work.

This year sees awards for both publishing companies and individuals at the beginning of their career in the industry.

Established publishers such as Canongate and Birlinn are shortlisted alongside newcomers 404Ink who have had phenomenal success with their first publication Nasty Women, and niche publishers Handspring, while emerging talents, such as Kirstin Lamb of Barington Stoke and Laura Waddell of Harper Collins, have been shortlisted for the Emerging Publisher of the Year Award for their commitment, innovation and adaptability within the industry.

The shortlists for the seven awards for the 2017 Saltire Literary Awards, each accompanied by a cash prize for the winner, are:

 

The winning book from each of the book awards will go on to compete for the coveted Saltire Scottish Book of the Year Award and an accompanying £3,000 cash prize.

The winners of all the Saltire Literary Awards, along with the Ross Roy Medal for the best PhD thesis on a subject relating to Scottish literature, will be formally announced at a special ceremony in Edinburgh on St Andrew’s Day (30 November 2017).

Saltire Society Programme Director, Sarah Mason commented: “As always with the Saltire Literary Awards, the sheer scale, diversity and excellence within the shortlists exemplify the best in Scotland’s literary sphere.

“My congratulations to all our shortlisted writers and publishers. I wish them the very best of luck when the awards are announced at a special ceremony on St Andrews day.”

October 13, 2017

The Bookseller wants your Scottish stories

The Bookseller has announced its very first dedicated Country Focus on Scotland, to run in the 19th January 2018 edition to celebrate Scotland’s publishers and publishing industry.

It will be a specific and dedicated edition on Scotland with news stories, features, charts, analysis, and a preview feature of books released throughout next year.

They are currently holding an open call to publishers, authors, buyers, agents and publisher services throughout Scotland to take part.

It’s a great opportunity to showcase yourselves, as well as new titles, to book buyers, bookshop owners, ecommerce outlets and major publishers throughout Europe and beyond.

Over the next few months, The Bookseller will be calling for the following information:

  • News stories/press releases/trends in Scottish publishing
  • AIs for top titles released between January 2018 and January 2019
  • Bookings for advertising/promotional slots in the edition.

Please email Emma Hare, Senior Account Manager

You can view the Wales Focus here, and the Ireland Focus here.

Information courtesy of Asif Khan of Scottish Poetry Library & The Bookseller

 

October 9, 2017

Poetry by Heart Scotland 2017-18 is open!

Registrations are now open for the 2017-18 Poetry by Heart Scotland competition!

Participation in the competition is free of charge to all schools for S4-S6 pupils, aged 14-18.

To register your school or to ask any questions just email rose.harrison@spl.org.uk to receive your resource pack.

For more information, take a look at our handy Poetry by Heart Scotland guide.

 

Competition structure

Poetry by Heart Scotland has a pyramid structure: class heats are optional if you have lots of keen reciters but all participating schools have an official school competition.

School competition winners participate in regional heats, which this year are taking place in Universities across Scotland. The winners of all the regional heats take part in the national finals in March 2018.

The deadline for schools to register is Friday 3rd November 2017.

The poems

Students have to memorise and perform two poems – one written before 1914 and one after 1914.

One of the poems must be by a Scottish poet or a poet resident in Scotland.

You can find the permitted competition poems free at www.poetrybyheart.org.uk or on the Scottish Poetry library website at our Poetry by Heart Scotland pre-1914 and post-1914 tags.

Why not choose one poem from each website?

Download resources

When you register, SPL will send out a pack by post containing all of the documents you need to run PBHS in your school.You can find them online too here.

 

Information courtesy of Scottish Poetry Library.

 

October 3, 2017

National Poetry Day 2017 – Thurs 28 Sept

National Poetry Day is coming! On Thursday, 28 September, the Scottish Poetry Library (SPL) will take the lead in Scotland in promoting the UK’s annual celebration of poetry and poets.

The theme for National Poetry Day (NPD) 2017 is ‘freedom’.

In addition to providing unique resources to mark the day, the SPL is co-hosting three events and supporting the launch of BBC Scotland’s Poet in Residence.

Poets Don Paterson, Christine De Luca and Hugh McMillan will read at special events to celebrate NPD.

Award-winner Paterson will read in the unique setting of the Jupiter Artland sculpture park outside Edinburgh.

Christine De Luca will mark the end of her time as Edinburgh Makar with the publication of a collection of poems about the capital, Edinburgh: Singing the City, which she will launch at the SPL on NPD.

At the Robert Burns Birthplace Museum in Ayr, Hugh McMillan will perform his own work alongside competition winners from Alloway Primary, who have written their own poems for NPD.

National Poetry Day also marks the launch of BBC Scotland’s Poet in Residence.

Earlier this year, after an open call for submissions, BBC Scotland announced the second poet to take up the post is Stuart A. Paterson (succeeding Rachel McCrum, who held the post in 2015).

The residency, which is four months long and will conclude on Burns Night, begins with Paterson performing his own specially-written poem about ‘freedom’ to mark National Poetry Day.

The poem will incorporate a distinctive local word as part of UK-wide NPD celebrations: on that day, each of the 12 regional BBC areas will broadcast 12 poems by 12 local poets, with each poem inspired by a distinctive local word chosen through a call out for listener suggestions across the country.

The SPL is already making available resources for teachers and readers specially commissioned for 2017’s NPD.

The notes are based on six poems, all on this year’s theme of ‘freedom’, which have been turned into poem postcards.

The poems are in English, Gaelic and Scots, and are available from public libraries in Scotland for free.

The poems chosen include work by Kathleen Jamie and Julia Donaldson.

Audio and educational content – exclusive to the SPL – based on the six poems is available on our website now at http://www.scottishpoetrylibrary.org.uk/connect/national-poetry-day-2017-freedom.

– ENDS –

For further information, please contact Colin Waters
T: 0131-557-2876 or 0740-052-9150. E:
colin.waters@spl.org.uk

About the Scottish Poetry Library

The Scottish Poetry Library is a unique national resource and advocate for the art of poetry. The SPL is one of three poetry libraries in the UK, but the only one to be independently constituted and housed. The SPL now has over 45,000 items and has recently completed an extensive renovation of its building. Discover more about the SPL and its work throughout Scotland and beyond on the Library’s website: http://www.scottishpoetrylibrary.org.uk

About National Poetry Day

National Poetry Day is an annual celebration that inspires people throughout the UK to enjoy, discover and share poems. Everyone is invited to join in, whether by organising events, displays, competitions or by simply posting favourite lines of poetry on social media using #nationalpoetryday. National Poetry Day was founded in 1994 by the charity Forward Arts Foundation, whose mission is to celebrate excellence in poetry and increase its audience. Discover more about NPD: https://nationalpoetryday.co.uk/

 

September 27, 2017

Culture Strategy – engagement details

Last week the Cross Party Group on Culture met to discuss A Culture Strategy for Scotland. Following on from this, please find below a note from Scottish Government colleagues:

Dear colleagues,

Thank you for an interesting and productive meeting at the Cross Party Group on Culture on 5 September.  We really appreciate your ideas, views and the enthusiasm for what a Culture Strategy can achieve.

Please find below some information about the current engagement phase of the development of a Culture Strategy for Scotland. We hope these are just a few of the many ways you, and your peers, colleagues and communities can feed into the conversation.

Our Resource Pack to support stakeholders hosting their own discussions around the Culture Strategy for Scotland, along with details of our planned public engagement events in Paisley, Dumfries & Galashiels have now been published on our website.

Details of further events will be confirmed and added to our webpages in due course.

To find out more about the culture strategy and how to get involved, email culturestrategy@gov.scot, you can also share your views on Twitter by mentioning @culturescotgov and using the hashtag #scotlandscultureconversation, or get involved in our online discussion forum.

Thank you and we hope to hear from you soon.

Kind regards,

The Culture Strategy team

Information courtesy of Cross Party Group on Culture email update.

September 15, 2017

Walter Scott 250 partnerships meeting – 15 Sept 2017

WHAT: Walter Scott 250th Commemorative Year (2021) – partnerships meeting

WHEN: 2pm on Friday 15 September 2017

WHERE: National Museums of Scotland, Edinburgh – Seminar Room, Learning Centre 4.

RSVPAsif Khan, Director, Scottish Poetry Library 

AGENDA

  1. Welcome (2min)
  2. Introductions (5min)
  3. Partner updates/ information share (15-20min)
  4. Programme Development (30-40min)
  • How might the partnership group evolve, and identify key themes for collaborations?
  • Administrative support and resources
  • Identity/brand
  1. Dates and venues of next meetings

Please feel free to share details of the meeting with colleagues or other parties working in culture, heritage, tourism or academia that you think might be interested in attending.

Directions to the Seminar Room Learning  Centre Level 4

  • Please enter the National Museum of Scotland via the street level entrance on Chambers Street and take the stairs or lift to the Grand Gallery on Level 1.
  • Take the Escalator one flight up to Level 3  – where you will see a small shop area and the entrance to our Jacobites exhibition
  • Walk straight past the shop area with Jacobites ticket desk on your left . You will see a small ‘bridge’ walkway leading to an archway . Go through archway and upstairs which lead to  the Learning Centre Level 4.  If you need to take a lift to Level 4 there is a small lift to the right hand side of the stairs.

Information courtesy of Asif Khan, SPL.

September 12, 2017

Denise Mina wins The McIlvanney Prize for Scottish Crime Book of the Year

Congratulations to Denise Mina who won the Bloody Scotland McIlvanney Prize Scottish Crime Book of the Year 2017 for The Long Drop.

It is the first time a woman has won the award.

The award was announced last night (Friday 8 September 2017) at the opening night of Bloody Scotland – Scotland’s international Crime Writing Festival – which runs from 8-10 September 2017 at venues in Stirling.

Lee Randall, chair of the judges said:

“The Long Drop by Denise Mina transports us back to dark, grimy Glasgow, telling the social history of a particular strata of society via the grubby, smokey pubs favoured by crooks and chancers. She takes us into the courtroom, as well, where Manuel acted as his own lawyer, and where hoards of women flocked daily, to watch the drama play out.

Full of astute psychological observations, this novel’s not only about what happened in the 1950s, but about storytelling itself. It shows how legends grow wings, and how memories shape-shift and mark us.

For my money this is one of the books of 2017 — in any genre.”

Information and photo courtesy of Bloody Scotland.

September 9, 2017

Notes on Visions of the Future: Libraries @ Edinburgh International Book Festival

Sunday 27 August 2017, 7.30-9pm, Edinburgh International Book Festival.

Featuring: Julia Donaldson, Pete White, Dr Jenny Peachey, chair: David Chipakupaku

Format: short presentation by each guest, followed by group discussion, then audience questions.

Julia Donaldson, children’s author and Children’s Laureate 2011-2013

Read out two examples of letters from parents who use the libraries in different ways, including the difficulties in accessing ‘hubs’ – rather than smaller local libraries – for some parents. She had heard comments that some librarians didn’t dare speak out: “librarians are not allowed to say, ‘our libraries are doing well'”. Emphasised that although understandable some cuts need to be made in times of financial difficulty, it would be disastrous if buildings were sold and we couldn’t get them back.

Jenny Peachey, Senior Policy and Development Officer, Carnegie UK Trust

Shared stats from Carnegie Trust report ‘Shining a Light: The future of public libraries across the UK and Ireland.’ Showed that although library membership is doing well, frequency of use is down (from 2011-2016), and that there’s a value action gap (i.e.libraries are seen as crucial but are not necessarily being used). Issue of two very different user groups, who need two different messages. There’s an appetite for change amongst the public, including increased council services available in libraries, more events and more cafes). Increased range of books was not seen as a priority for many people. Potential improvements: digital offer, a more tailored offer, which recognises that it’s not a universal/broad service? Also: Create a workplace culture of innovation which empowers library staff and share learning across the jurisdictions, which all have different strengths and weaknesses.

Pete White, Chief Executive of Positive Prison

Pete talked about his experience in the prison system, including being allocated to work in the library during his sentence. Shared key stats including: 80% of prisoners are from the top 5% more impoverished areas. Two thirds of prisoners have a reading age of less than 11, two thirds have mental health issues and two thirds have issues with addiction. Each year 250,000 people have a court report written about them. The prison population remains about steady with approx 19,000 in and out each year. He explained how libraries are the “opportunity to take something forward”, emphasising that they are linked to communication as a whole. The average middle-class household will use around 32,000 words per day, whereas a family with two children and one parent with an addiction is likely to use around 600. “That’s a lot of missing words by the time they grow up”. He ended with “libraries are vital, simple as.”

Further discussion points and key quotations

– importance of recognising that it’s not patronising to teach reading or stories to adults

– discussion of important of libraries to people once released from prison – JP pointed out we could connect the dots.

– JP: Explained that something is being lost in communication, for example many people surveyed said they wanted to be able to reserve books online, which they already can. Also: think about the ‘why’ of libraries when spreading the message, and recognise it’s not a universal message.

– PW: Libraries could “step sideways from tradition” and become more fearless, with more involvement from young people. Can be intimidating to some people.

– JD: Libraries as a physical place v. important – vital role as a community centre.

– JP: “Libraries are the last free, safe, civic space we have.”

– Discussion of the social return on investment, e.g. training volunteers, which means they’re seen as people with the ability to contribute. Importance of quantifying long-term value and preventative spend, e.g. libraries save the NHS millions each year.

– Questions raised about who do we expect to invest in libraries? (US model of philanthropy mentioned). How can they generate money? How to change the social mindset about libraries?

Describe your dream library!

DC: Birmingham! But with all local services still intact.

JD: I love the variety, and how each one is so different.

JP: A library which is immediately welcoming and full of people

PW: Wee free libraries, available to all.

Points from audience discussion

  • Pamela Tulloch (CEO of Scottish Library and Information Council) pointed out that the situation in Scotland is not as dire as often portrayed: new libraries are opening around the country, and it’s important to celebrate the positives.
  • importance of communicating with your local library about what you want
  • use your library, and encourage others, to help the stats.
  • celebrate the diversity of library users, without judgment
  • make sure communicate the contemporary offer to those who don’t value their libraries.

Notes courtesy of Edinburgh UNESCO City of Literature Trust.

 

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September 6, 2017

Wigtown Book Festival puts global & local on the same page

  • Over 250 authors will be welcomed to Scotland’s National Book Town in 2017
  • Themes include International Connections, Revolutions, Walking & Talking, Scotland’s Year of History, Heritage and Archaeology
  • New initiatives include free children’s programme on Sunday 1 October
  • Free tickets to young adult and adult events for everyone under 26

The 19th annual Wigtown Book Festival promises more than 250 events and welcomes a multitude of authors and famous names.

This year’s festival, from 22 September to 1 October 2017, includes sessions with leading Scottish authors Andrew O’Hagan and Denise Mina; from the world of sport Judy Murray and jockey Declan Murphy; politicians turned writers Roy Hattersley and Alan Johnson; TV presenter Rick Edwards, journalists Martin BellJeremy BowenGavin Esler and Bridget Kendall; and Palme d’Or-winning screenwriter Paul Laverty (I, Daniel Blake), who grew up in Wigtown and attends the festival for the first time.

The opening evening will see the launch of the Diary of a Bookseller, written by Wigtown bookshop-owner Shaun Bythell. The subject of a bidding war between publishers, the book recounts a year in the life of a secondhand bookshop owner and reads like a cross between George and Weedon Grossmith’s comic classic Diary of Nobody and TV series Black Books. It is one of three books from major publishers to be based in Wigtown and published this year.

At the heart of the 2017 event is a new international strand, World Town, which seeks to bring new voices from abroad to the festival. The programme welcomes overseas writers and commentators to discuss the German elections (24 September) and Catalan referendum (1 October). There are also sessions on the rise of France’s President Macron, the decline of US influence in the world, and how Brexit is seen by our continental neighbours.

As part of this international theme, the Upland/ Spring Fling artists’ residency, now in its 9th year, will welcome Moroccan storyteller Mehdi El Ghaly and photographer Houssain Belabbes to work with their Scottish counterparts Anne Errington and Laura Hudson Mackay. Together they will be exploring the connection between Moroccan and Celtic storytelling traditions.

Artistic director Adrian Turpin comments: “Wigtown welcomes the world. It may be a small town in a remote part of south-west Scotland, but it’s also Scotland’s national book town, visited by an increasing number of book lovers from across the globe, many of whom have chosen to make their homes here.

You don’t have to live in a city to engage with the wider world, especially now that digital technology allows us all to maintain contacts over large geographical distances. It is possible to be truly global and local. We feel that it’s especially important to look outwards at this moment in history. In particular, after the Brexit vote, on both sides of the debate there has been a new urgency to know about our European neighbours.”

Closer to home, the 2017 Wigtown Book Festival also celebrates Scotland’s Year of History, Heritage and Archaeology with Professor Sir Tom Devine. It also looks at the particular contribution that the south-west of the country has made to Scotland’s national story, from Covenanters and the Galloway Viking Hoard, to the works of historian Thomas Carlyle and engineer Thomas Telford.

Taking inspiration from the 100th anniversary of the Russian Revolution and the 500th anniversary of the Protestant Reformation, the 2017 festival will consider technological, social and political revolutions and the forces that drive them, through the works of among others Alec Ryrie (Protestants), Victor Sebestyen (Lenin the Dictator) and Douglas Murray (The Strange Death of Europe: Immigration, Identity, Islam).

A series of new Walking & Talking events will encourage the exchange of ideas on the hoof, with an aim to refresh the spirit and exercise mind and body. James Canton will recreate ancient Wigtownshire; author of A Book of SilenceSara Maitland, leads a silent walk; taking inspiration from poet Harry Giles, writers Robert Twigger and Jessica Fox find new ways to explore the Galloway Forest Park; while author and farmer Rosamund Young will bring to life her cult book The Secret Life of Cows on a local dairy farm.

There’s also plenty to do not centred on books. This year the festival offers film screenings in the County Buildings, a nightly theatre programme at Scotland’s smallest theatre, The Swallow, and a number of visual arts exhibitions. Music includes Stravinsky’s The Soldier’s Tale, played by Glasgow’s Auricle Ensemble and the fantastic Commoners Choir, whose songs of revolt and dissent are a central part of this year’s Revolutions theme. Wine and whisky tastings will be provided by Nikki Welch and Blair Bowman, while the festival also offers a tour of Galloway’s new gin distillery Crafty and ice-cream maker Cream o’ Galloway. Light relief is provided by comedian turned classicist Natalie Haynes, while the stand-up farmer Jim Smith gives the low-down on rural life. The legendary festival talent competition and ceilidh also return on Saturday 23 September and 30 Septemberrespectively.

Jenny Niven, Head of Literature, Languages & Publishing, Creative Scotland, said: “Congratulations to Wigtown Book Festival on another inventive programme, full of ideas and debate, with exceptional writers from Scotland and beyond. The festival is a key event in Scotland’s cultural calendar, and an important fixture for Dumfries and Galloway.”

Stuart Turner, Head of EventScotland, said: “We are delighted to be supporting Wigtown Book Festival again this year, through our Beacon Programme. Scotland is the perfect stage for cultural events and the festival is one of the most iconic literary festivals in the UK. It’s great to see that this year’s programme is as strong as ever, with household names alongside a strong regional offering. It’s also fitting that during Scotland’s Year of History, Heritage and Archaeology 2017, that the festival will be exploring the region’s past and historic contribution through an exciting programme of talks and events.”

In a packed children’s programme, Abie Longstaff invites you to check into the Superhero Hotel, Mairi Hedderwick tells us what Katie Morag did next, Tony Bonning reveals folk tales from the region, and spells abound inSylvia Bishop‘s magical bookshop world. There will be a tea party for tigers and a Mudpuddle Farm drawing session with Shoo Rayner, while Philip Ardagh explores the world of Moominvalley. Popular children’s authorsVivian French and Debi Gliori host a workshop of superheroes and monsters encouraging creative minds to devise a character and story. This year’s programme also introduces for the first time a range of free events on the final Sunday.

Children’s programmer Anne Barclay said: Our aim is to encourage our youngest festival-goers to read more books, write more stories, draw more pictures and, most importantly, have fun across the festival. We’re incredibly excited about the 2017 Children’s Festival which offers 10 days of engaging and interactive events for the whole family.”

A separate young people’s festival, WTF (Wigtown: The Festival) offers more than 25 free events programmed by young people for their peers, aged 13-25. Writers attending will include Cathy MacphailKiran Millwood HargraveHelen Grant and Brian Conaghan, winner of the Costa Children’s Book Award 2016. The young people’s programme also features advice on creating comics from Gary ChudleighAlan Grant and John McShane, inspirational spoken words with Savannah Brown, a writing masterclass from Nadine Aisha Jassat and workshops that include drawing (with illustrator Shoo Raynor), editing and ceramic design.

– ENDS –

Notes to Editors

  • Booking information – To book tickets call 01988 403222, visit in person at Number 11 North Main Street in Wigtown or buy online at www.wigtownbookfestival.com
  • Website – www.wigtownbookfestival.com
  • Dates of festival– 22 September to 1 October 2017
  • Funders– Wild Foods of Scotland, Creative Scotland, Dumfries & Galloway Council, EventScotland, The Holywood Trust, Engage, Batchworth Trust, Winifred Kennedy Trust, Mr Edward Hocknell, The Korner Family, Sir Iain Stewart, WS Wilson Charitable Trust.
  • With kind thanks– to all volunteers and local businesses who help make the festival every year.

About EventScotland

  • EventScotland is working to make Scotland the perfect stage for events. By developing an exciting portfolio of sporting and cultural events EventScotland is helping to raise Scotland’s international profile and boost the economy by attracting more visitors. For further information about EventScotland, its funding programmes and latest event news visit www.EventScotland.org. Follow EventScotland on Twitter @EventScotNews.
  • EventScotland is a team within the VisitScotland Events Directorate, the national tourism organisation which markets Scotland as a tourism destination across the world, gives support to the tourism industry and brings sustainable tourism growth to Scotland. For more information about VisitScotland see www.visitscotland.orgor for consumer information on Scotland as a visitor destination see www.visitscotland.com.

About Creative Scotland

  • Creative Scotland is the public body that supports the arts, screen and creative industries across all parts of Scotland on behalf of everyone who lives, works or visits here. It enables people and organisations to work in and experience the arts, screen and creative industries in Scotland by helping others to develop great ideas and bring them to life.  It distributes funding provided by the Scottish Government and the National Lottery.
  • For further information about Creative Scotland please visitwww.creativescotland.com.
  • Follow Creative Scotland @creativescots andwww.facebook.com/CreativeScotland

For further information and interview requests contact Matthew Shelley on 07786 704299 or Matthew@ScottishFestivalsPR.Org  

September 1, 2017

Creative Scotland seeks Literature Officer

The following information is taken from Creative Scotland’s website.

Edinburgh
Salary: £26,016 pa plus pension and benefits
Full-time (36 hrs per week), permanent

Creative Scotland is the national development agency for Scotland’s arts, screen and creative industries.

We are looking for a Literature Officer to join us and support Creative Scotland’s work in the context of our 10-year Strategic Plan and our Annual Plan. You will be an active member of the Literature team and will assess and make recommendations on a range of funding applications, projects and funding. You will also be expected to lead on a number of different projects and support the wider work of the Literature Team across a variety of different programmes.

The person appointed will work closely with cultural organisations and other key stakeholders to support the delivery of our work in literature and publishing.

Our ideal candidate will have a successful track record of project management and good knowledge of literature and publishing across Scotland. You will have demonstrable experience and knowledge of the literature sector, experience of readership or literature development including experience of working with a wide and diverse range of writers and literature professionals.

You will also be able to demonstrate experience in carrying out detailed assessments of proposals and producing clear reports and recommendations. Experience and understanding of the arts in Scotland, in particular literature and publishing, combined with strong interpersonal skills is essential. Experience of managing evaluation and monitoring processes is desirable but not essential, as is the ability to develop and establish partnerships both at home and abroad, and demonstrate commitment to our core values.

Closing date for receipt of completed application forms is 12 noon on Thursday 7 September 2017.

Interviews will be held in Edinburgh on Tuesday 19 September 2017. If selected for interview you will be expected to be available on this date.

Download an application form and information pack here.

August 30, 2017

Muriel Spark 100

Are you planning an event to celebrate the Muriel Spark centenary or have an idea for an event you would like to develop?

The Muriel Spark 100 programme aims to raise the profile of Dame Muriel, her work, and her legacy and place her in the centre of the cultural landscape of 2018.

Led by the National Library of Scotland and Creative Scotland with the collaboration of many partner organisations – including BBC, Glasgow University, Scottish Book Trust, British Council, Muriel Spark Society, GFT and Glasgow Women’s Library –  the Muriel Spark 100 programme will celebrate the life and literary achievements of one of Scotland’s finest and most internationally respected writers across the year, through a series of events, including talks, exhibitions, readings, publications and screenings.

They are looking for organisations and practitioners with work in development or who would be interested to mark the centenary in some way. From exhibitions to readings, talks or screenings, the formats and angles for contribution are diverse.

For more information, please contact the Muriel Spark 100 Coordinator, Sabrina Leruste, at s.leruste@nls.uk

August 24, 2017

CPG on Culture: A Culture Strategy for Scotland

The next CPG on Culture will be held on Tuesday 5 September 2017, 5.30pm-8.00pm at the Scottish Parliament in Committee Room 2.

The meeting will look a Culture Strategy for Scotland.  A full agenda will be made available in due course, however we expect the meeting to follow the usual format:

•         5.30pm-6pm                  Social Discussion

•         6pm-6.30pm                  Panel Discussion

•         6.30pm-8pm                  Group Discussion

Unfortunately, due to room capacity we can only accommodate 60 non-MSPs at the meeting. We expect demand to be high so please RSVP to Kirstin.MacLeod@creativescotland.com to secure your spot.

Following the meeting, details of proceedings will be posted on the website

August 16, 2017

Islay Book Festival set for bold start to second decade

When: 29 September–1 October 2017 | Jura Day: 28 September
Where: Various venues across Islay and Jura

 

This autumn, from 29 September to 1 October, Islay Book Festival is aiming to kick-start its second decade in a big way. Its enthusiastic team of volunteers is planning a lively programme of events aimed at increased variety, engagement, and especially fun!

Islay Book Festival first grew out of a book club based in the village of Port Ellen, hosting its first festival in 2006. Islay has since held ten successful festivals in Port Ellen and has hosted a range of famous authors including Val McDermid, Ruth Rendell, Ali Smith, Julia Donaldson, Iain Banks, Chris Brookmyre and Mairi Hedderwick.

In those first ten years, Islay Book Festival firmly established its presence on Islay’s busy events calendar and has also become a feature of the UK’s annual book festival circuit, and it has become a particularly popular festival for authors. Who wouldn’t want a trip to Islay, after all?

As Islay Book Festival approaches its eleventh instalment, the team is taking a fresh approach. The festival is going to be on the move this year, with events happening across Islay in order to make the most of what this fantastic island has to offer and in a bid to reach as many people as possible. The festival is also holding a special Jura day on 28 September.

Highlights will include a crime evening at Islay’s iconic Round Church, historical and contemporary fiction, space exploration, writing workshops, ‘Islay Voices’ local history walks, bookbinding workshops, Gaelic storytelling for children, a Mull Historical Society music and words evening, ‘Whisky Island’ photography, the Islay Poetry Challenge, puppetry, ‘Meet the authors’, wild books, school visits, Bookbug, and no doubt there’ll be some songs along the way. There may also be whisky…

Our line-up of authors in this busy programme of events, for adults and children of all ages, includes Colin MacIntyre (Mull Historical Society), Helen Sedgwick, Sara Sheridan, E.S. Thomson, Pauline Prior-Pitt, Dr Ken MacTaggart, Alan Windram, Barbara Henderson, Linda Macleod, Ryan Van Winkle, Jura local Konrad Borkowski, and Islay’s own Jenni Minto and Les Wilson. Also featured will be Sollas Bookbinding.

For our full programme information, and for more details about our authors and other participants visit our website www.islaybookfestival.co.uk, follow us on Twitter @IslayBookFest or contact a member of our team at islaybookfestival@gmail.com

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August 9, 2017

School Library Strategy development set for Autumn 2017

The Scottish Government is to start developing a School Library strategy this Autumn.

The news was confirmed in a recent response letter to the Public Petitions Committee regarding the ongoing petition by Duncan Wright, Trustee of Chartered Institute of Library and Information Professionals in Scotland (CILIPS), asking for a strategy as part of his ‘Save Scotland’s School Libraries’ campaign.

LAS welcomes the positive news and encouraging step forward in the Scottish Government’s response, which states:

“SLIC (Scottish Library Information Council) will lead the development of the strategy in collaboration with key partner organisations. The strategy will build upon the work undertaken by SLIC with Education Scotland to develop and integrate librarian-focused guidance into the main ‘How Good Is Our School 4’ (HGIOS4) whole school self-evaluation framework.

“Development and engagement on the strategy will begin in the autumn, following the publication of the new HGIOS4 guidance on school libraries.

“It is important that the aims, objectives and content of the strategy are developed in a collaborative way.

“The engagement to develop the strategy will therefore include all key stakeholders, including the Chartered Institute of Library and Information Professional in Scotland (CILIPS) and the Association of Directors of Education in Scotland (ADES).

“The aim is for the final strategy to be agreed and published ahead of the 2018/19 school year. The detailed timetable for the work will be developed and agreed with SLIC during the course of summer 2017. Officials will also contact CILIPS and the petitioner himself in order to clarify the timetable and the process to develop the strategy.”
July 4, 2017

Exhibition on libraries’ political & social status @ CCA Glasgow

Press release from CCA Glasgow:

The House that Heals the Soul brings social spaces, publishing resources and library collections from around the world to CCA Glasgow this summer (22 July – 3 September 2017).

This summer’s exhibition at CCA focuses on the political and social status of libraries.

Programmed in collaboration with artist Nick Thurston, CCA’s exhibition spaces will be opened up to house a selection of library and self-publishing resources alongside artworks that look at various histories of – and approaches towards – the protection and presentation of libraries’ collections, infrastructures and users.

The House that Heals the Soul includes artworks that explore the loss of libraries and books, and questions how controlling access to them can be a political strategy of occupation. Alongside typical and atypical library resources, the exhibition will also include a series of artworks examining readers’ relationships to publications, alternative politics of collecting publications, and technologies for disseminating and archiving them. Digital sharing platforms will also have a presence in the space, and there will be a series of talks by artists and practitioners throughout the show exploring our ever-changing relationships with public sites for knowledge development and exchange. The exhibition will support a dialogue around the importance of the librarian as an interlocutor, artist and curator, as well as giving access to CCA’s spaces for visitors to read, view and produce.

Artists and organisations

A wide range of artists and organisations will be part of The House that Heals the Soul including The Book Lovers, Beatrice Catanzaro, Curandi Katz, Sean Dockray & Benjamin Forster, Emily Jacir, My Bookcase, OOMK, Publication Studio Glasgow, The Serving Library, Temporary Services and Nick Thurston.

The Book Lovers is a collaboration between curator Joanna Zielińska and artist David Maroto focused on research into the artist’s novel employed as a medium in the visual arts. The Book Lovers’ entire collection of books will be on display in The House that Heals the Soul. Over 400 publications will be in the gallery – the largest collection in the exhibition – all artist’s novels. The books will be available for people to read within the gallery. The Book Lovers’ participation in The House that Heals the Soul is supported by the Mondriaan Fund.

Beatrice Catanzaro produces public art interventions with a special focus on social and political dynamics. In this exhibition, an installation representing the final outcome of A Needle in the Binding, her long-term research project with former Palestinian prisoners, will be on display. The project began with the prisoners’ book section of the Nablus Municipality Library which hosts approximately 8000 books read by Palestinian political prisoners between 1972 and 1995, alongside 870 hand-written notebooks; it considered access to books in prison and included the conservation of old and neglected books by the former prisoners and Catanzaro.

Curandi Katz (Valentina Curandi and Nathaniel Katz) are an artistic duo who have been working collaboratively since 2008. The Pacifist Library is an ongoing project of diverse interventions, centred on a mobile library articulated in different ways. All the books within the mobile library have a strong focus on ethical concerns and the connection between art and social change. The rucksack used for the nomadic, travelling library in Queens, New York will be on display during this exhibition, along with a selection of books from the project.

Benjamin Forster and Sean Dockray have been developing /dat library/ together, a peer-to-peer library of libraries that is built on top of the decentralised data-sharing tool called dat. Their work in The House that Heals the Soul is a desktop app which disseminates, shares and copies digital libraries. It allows users to add to, and create, their own libraries. It will be displayed on a computer in the gallery, alongside other computers in the space where visitors can access design software, links to artists projects and other online tools.

Emily Jacir is an artist and filmmaker who is primarily concerned with transformation, questions of translation, resistance and silenced historical narratives. Six photographs – extracts from a project called Untitled (fragment from ex libris) – will be on display during this exhibition. ex libris (2010-2012) commemorates the approximately thirty thousand books from Palestinian homes, libraries and institutions that were looted by Israeli authorities in 1948.

Founded in Glasgow in 2014 by artist Cristina Garriga, My Bookcase is a social enterprise that creatively explores the role of the book and its reader in today’s society. In 2017, Katie Reid and Julia Doz joined Garriga to expand My Bookcase across Glasgow, Barcelona and Amsterdam. My Bookcase will host a space in the gallery where books will be shared and exchanged in an informal way, and will present a workshop detailing how the space was produced. Following the exhibition, the exhcange space will be transferred to the bookshelves in the CCA foyer.

One of My Kind (OOMK) is a highly visual, handcrafted small-press printed zine; OOMK is run by Sofia Niazi, Rose Nordin and Heiba Lamara who also host regular creative events. OOMK welcomes contributions from women of diverse ethnic and spiritual backgrounds, and is especially keen to be inclusive of Muslim women. A bookshelf with their publications and zines will be in the gallery, and OOMK will also lead an all-day workshop on creating a publication or book on 1 September.

Publication Studio Glasgow is also an open source printing facility housed at CCA. During The House that Heals the Soul, it will move into the gallery spaces as an open-source resource for self-publishing. CCA and Publication Studio partners – My Bookcase, Good Press Gallery, A Feral Studio and Joanna Peace – will run a series of workshops and inductions, enabling any member of the public to design, print and bind their own book edition.

The Serving Library is an artist-run organisation founded in 2011 to develop a shared toolkit for artist-centred education and discourse through publishing and collecting. The Serving Library commission artworks that respond to text and language including framed prints, photographs, objects and ephemera. More than 100 objects are on display at The Serving Library’s building in Liverpool; a selection of these commissions will come to CCA this summer.

Temporary Services (Brett Bloom and Marc Fischer) started as an experimental exhibition space in Chicago, and now produces exhibitions, events, projects and publications. The Booklet Cloud – forty publications from Temporary Services and Half Letter Press, hung from above – will be installed at CCA. Also available will be booklets from the Self Reliance Library, which collates reference materials and information about books – exploring a multitude of ideas including skills sharing, technologies, design and ecology.

For the show, Nick Thurston will present Drag-Nets, an adjusted re-print of James Joyce’s Ulysses – a book effectively banned in the US in the 1920s. The installation includes a stack of free-to-take dust jackets for censored books, and a single copy of Ulysses with the title, author and dates matching the new Drag-Nets cover. The dust jackets can be taken and creased around any book that one wishes to secretly distribute. The book will be legally registered and any time the cover jacket is seen or the barcode scanned it will identify the volume it conceals as Drag-Nets by Arthur West.

Ainslie Roddick, CCA Curator said: “This exhibition brings together several important projects which look at how knowledge and histories have been shared across, and despite of, borders and regimes of censorship. Our temporary library of libraries will become space for exchange, where the ‘political’ potential of books and texts is explored in many facets.”

Public libraries have become one of the last remaining spaces where people can gather without expectation or requirement. As the future of libraries becomes increasingly precarious, The House that Heals the Soul aims to expand on the potential of libraries as sites of resistance, shelter, preservation, creation and restitution, and to do so in a dynamically public way as a functioning library of libraries.

Viviana Checchia, Public Engagement Curator at CCA said: “Galleries and libraries have something quite significant in common; they both represent a safe and welcoming platform where conversations can happen in a way no other public place can offer. That is one of the reasons we decided to transform our galleries into a social hub consisting of an open exhibition space, a library and a publication studio. We hope this will foster and encourage even greater engagement in our already vivid spaces.”

This project marks the beginning of a series of summer exhibitions in CCA’s main galleries that will open the rooms up as spaces for meeting and exchange, providing the resources and facilities for more activities to be led by our communities.

Francis McKee, CCA Director said: “We are very excited about our forthcoming show – The House that Heals the Soul – which will stretch our regular exhibition format. There will be a series of curated artworks but we are also setting aside space in the main gallery where artists and community groups who responded to an open call will present their own projects. This is an experiment to see if we can introduce a greater degree of autonomy into our exhibition format, testing the role of open source in that context as well as in our partner programme.”

Following an open call for proposals from individuals and groups to contribute library collections, host their own events or use the gallery as a space to meet during The House That Heals the Soul, a related programme of events has been created. Events will take place throughout the run of the exhibition.

The House that Heals the Soul

The Book Lovers, Beatrice Catanzaro, Curandi-Katz, Sean Dockray & Benjamin Forster, Emily Jacir, My Bookcase, OOMK, Publication Studio Glasgow, The Serving Library, Temporary Services & Nick Thurston

Saturday 22 July – Sunday 3 September 2017

Preview: Friday 21 July, 7pm-9pm

Tue-Sat: 11am-6pm // Sun: 12noon-6pm // Free

Centre for Contemporary Arts (CCA), 350 Sauchiehall Street, Glasgow, G2 3JD

For full details, please see www.cca-glasgow.com

Events:

The Book Lovers, Not a Concept but a Story – talk

Sat 22 Jul, 1pm, CCA Galleries, Free on the door

Yon Afro, In Our Own Words – workshop

Sun 13 Aug, 6pm-8pm, Free but ticketed

OOMK workshop

Fri 1 Sep, 11am -3pm, Free but ticketed

Artists Self-Publishing Book Fair

Sat 2 Sep, From 11am, Free on the door

My Bookcase – Meeting Point workshop

Sat 2 Sep, 1pm-3.30pm, Free but ticketed

Ten Books workshop with Sarah Forrest and Amy Todman

Sat 2 Sep, 4.30pm-6pm, Free but ticketed

My Bookcase Small Talk – discussion event

Sun 3 Sep, 1pm-2.30pm, Free but ticketed

/Ends

For more information, images or interviews, please contact Julie Cathcart, Communications Manager, CCA – julie@cca-glasgow.com / 0141 352 4911.

Notes to Editors

About CCA: The Centre for Contemporary Arts, on Glasgow’s Sauchiehall Street, has been a hub for visual art, film, performance, festivals and literature since 1992 and celebrates its 25th anniversary this year. Previously home to The Third Eye Centre, the building is steeped in history and the organisation has played a key role in the cultural life of the city for decades. CCA’s year-round programme includes exhibitions, film, music, literature, spoken word, festivals, and talks. With building admissions of 335,650 in 2016-17, the venue hosted 253 programme partners across 1,075 events and 26 festivals. CCA also provides residencies for artists in the on-site Creative Lab space, as well as working internationally with residencies in Quebec, Palestine and the Caribbean. CCA curates six major exhibitions a year, presenting national and international contemporary artists, and is home to Intermedia Gallery which showcases emerging artists. CCA is supported by Creative Scotland, Glasgow Community Planning Partnership and Esmée Fairbairn Foundation. www.cca-glasgow.com

About The Book Lovers: Established in 2011, The Book Lovers is a collaboration between curator Joanna Zielińska and artist David Maroto. It is focused on research into the artists’ novel employed as a medium in the visual arts, exploring the different ways in which the artist’s novel is not a literary artefact but a medium employed by visual artists, exactly as they employ installation, video or performance. Its base is the creation of a collection of artists’ novels with a parallel online database, which is complemented by a series of exhibitions and public programmes, pop-up bookstores and publications. The Book Lovers work in partnership with a number of art institutions including M HKA, Museum of Contemporary Art in Antwerp; de Appel, Amsterdam; Museum of Modern Art, Warsaw; EFA Project Space, NYC; Sternberg Press; Fabra i Coats – Centre d’Art Contemporani de Barcelona. Currently The Book Lovers are commissioning the creation of a new artist’s novel, called Tamam Shud, by Alex Cecchetti, produced by the Ujazdowski Castle Centre for Contemporary Art, Warsaw. The two-year long art project features five episodic performances and an exhibition intended to create a murder mystery narrative to be published in early 2018. www.thebooklovers.info

About Beatrice Catanzaro: Beatrice Catanzaro is an artist and researcher. Her projects create situations for shared learning and public participation and have been developed and hosted throughout Europe, the Middle East, and India. Between 2010 and 2015, Catanzaro lived in Palestine and initiated the women’s centre Bait al Karama (House of Dignity), an ongoing long-term community project (social enterprise) in Nablus. Her work has been exhibited in numerous international venues including MART of Rovereto (Italy) in the context of Manifesta 7, Espai d’Art Contemporani de Castelló (Spain), Jerusalem Show by Al-Ma’mal Foundation (Jerusalem), Land Art Biennial (Mongolia), CIC Cairo (Egypt), Quadriennale of Roma (Italy). Catanzaro taught practice-based research at the International Art Academy of Palestine in Ramallah from 2012 and 2015. Invited lectures and participation in seminars includes: the Creative Time Summit ‘Curriculum’ at the Venice Biennale; Campus in Camps educational program at the Dheisheh refugee camp in Bethlehem (Palestine); the University of Hyderabad and at the CEPT University for Architecture, Urban Planning and Interior Design, Ahmedabad (India). She is currently a doctoral candidate at the Oxford Brookes University in Social Sculpture.

About Curandi Katz: Valentina Curandi (Cattolica, RN, 1980) and Nathaniel Katz (Woodstock, CA, 1975) have been working collaboratively as Curandi Katz since 2008. Their work explores modes of delegation and imposition underlined by forms of negotiation and collaboration. It acts in the space in which interactions with different ecosystems form, operating between linguistic inscription and incorporation into the functions and internal dynamics of different bodies. The artists were awarded the South Florida Cultural Consortium Fellowship (USA) and ICEBERG (IT). They have shown work at 16ma Quadriennale di Roma (IT), Yermilov Art Centre (UKR), Konstfak Stockholm (SWE), Motherlode Centrale Fies (IT), Passavamo sulla Storia Leggeri (IT), Rural in Action (IT), Bienal del Fin del Mundo (AR), ARTSTAYS (SLO), Hangart (IT), Kunstraum Munich (D), Galleria Artericambi (IT), ar/ge kunst (IT), MAC Lissone (IT), Museum of Art Fort Lauderdale (FL), VIAFARINI (IT), MOMA P.S.1 (NY), Flux Factory (NY), Center for Book Arts (NY), neon>campobase (IT), MEDRAR (EGY), Museo d’Arte Contemporanea Villa Croce (IT), Moscow Biennial for Young Art (RU).

About Sean Dockray & Benjamin Forster: Benjamin Forster and Sean Dockray live in Australia, 876km apart. They have rarely met in person, but they have worked on similar things in similar ways (e.g. a.library, AAAARG.ORG, Frontyard and the Frontyard Library, The Public School). Based on mutual trust rather than any formal notion of collaboration or collectivity, they have been developing /dat library/ together, a peer-to-peer library of libraries that is built on top of the decentralised data-sharing tool called “dat”. Like a library, dat is as much a community as it is a protocol; and as an open source project /dat library/ resists simple attributions of authorship, indebted as it is to this broader community.

About Emily Jacir: Emily Jacir is an artist and filmmaker who is primarily concerned with transformation, questions of translation, resistance and silenced historical narratives. Her work investigates personal and collective movement through public space and its implications on the physical and social experience of trans-Mediterranean space and time. She lives and works around the Mediterranean. Jacir is the recipient of several awards, including a Golden Lion at the 52nd Venice Biennale (2007); a Prince Claus Award (2007); the Hugo Boss Prize (2008); and the Herb Alpert Award (2011). Jacir’s works have been in important group exhibitions internationally, including the Museum of Modern Art, New York; San Francisco Museum of Modern Art (SFMOMA); Fondazione Sandretto Re Rebaudengo, Turin; dOCUMENTA (13) (2012);  Venice Biennale (2005, 2007, 2009, 2011 and 2013); 29th Bienal de São Paulo, Brazil (2010); 15th Biennale of Sydney (2006); Sharjah Biennial 7 (2005); Whitney Biennial (2004); and the 8th Istanbul Biennial (2003). Jacir’s recent solo exhibitions include Irish Museum of Modern Art, Dublin (2016); Whitechapel Gallery, London (2015); Darat il Funun, Amman (2014-2015); Beirut Art Center (2010); and Guggenheim Museum, New York (2009).

About My Bookcase: Founded in Glasgow in 2014, My Bookcase is a social enterprise that creatively explores the role of the book and its reader in today’s society. My Bookcase focuses on the book as a social tool for the exchange of knowledge – creatively deconstructing and exploring this object through art, architecture, design and literature, as well as with communities beyond these fields. The project’s starting point is an online platform, My Bookcase Platform, where readers open up their personal libraries to share their books in a free and participatory way. The initiative is supported by a network of meeting points – selected spaces in the city encouraging the sharing of books and encounters between readers. The aim of My Bookcase is to empower the reader by offering a creative space to unfold the knowledge gathered through private readings and bring individual knowledge into shared experience to support collective intelligence. My Bookcase was founded in 2014 by artist Cristina Garriga. In 2017, Katie Reid and Julia Doz joined Garriga to expand My Bookcase across the cities of Glasgow, Barcelona and Amsterdam. mybookcase.org

About OOMK: One of My Kind (OOMK) is a highly visual, handcrafted small-press publication. Printed biannually, its content pivots upon the imaginations, creativity and spirituality of women. Each issue centres around a different creative theme, with more general content exploring topics of faith, activism and identity. As well as producing a printed zine, OOMK is present online and hosts regular creative events including DIY Cultures. While OOMK welcomes contributions from women of diverse ethnic and spiritual backgrounds, it is especially keen to be inclusive of Muslim women. Studio OOMK is a design studio run by the editors of OOMK Zine, working with a host of clients, in particular galleries and museums, to host workshops, produce publications and undertake various projects. OOMK is run by Sofia Niazi, Rose Nordin and Heiba Lamara. oomk.net

About Publication Studio Glasgow: Publication Studio Glasgow is a collaboration with partners My Bookcase, Good Press Gallery, A Feral Studio and artist Joanna Peace. It is a publishing enterprise founded in 2009 in Portland, Oregon – an international network of sibling studios, with a presence in thirteen cities including New York, London, Rotterdam and now Glasgow. Publication Studio prints and binds books one at a time on-demand, creating original work with artists and writers. It is a laboratory for publication in its fullest sense – not just the production of books, but the production of a public. It is also an open source printing facility housed at CCA. Every few weeks, Publication Studio Glasgow runs inductions to teach people how to use the equipment, who can then book the space to make a small run of their own books. For more information and to book an induction email publicationstudioglasgow@gmail.com

About The Serving Library: The Serving Library is an artist-run non-profit organisation founded in 2011 to develop a shared toolkit for artist-centered education and discourse through related activities of publishing and collecting. It comprises a biannual journal (Bulletins of The Serving Library) published both online and in print, an archive of framed objects on permanent display, and a public programme of workshops and events. The Serving Library currently resides at Exhibition Research Lab, School of Art & Design at Liverpool John Moores University, where the gallery space serves as a satellite seminar room to host occasional classes for university-level art, design and writing students from schools across the world, as well as a regular series of public talks and exhibitions building upon the library’s archival material. servinglibrary.org

About Temporary Services: Temporary Services is Brett Bloom and Marc Fischer, and is based in Ft. Wayne (IN) and Chicago. Salem Collo-Julin worked with Temporary Services from 2001-2014. Temporary Services has existed, with several changes in membership and structure, since 1998, and produces exhibitions, events, projects and publications. Temporary Services started as an experimental exhibition space in a working class neighborhood of Chicago. The name directly reflects the desire to provide art as a service to others. It is a way for us to pay attention to the social context in which art is produced and received. Having “Temporary Services” displayed on the window helped to blend in with the cheap restaurants, dollar stores, currency exchanges and temporary employment agencies on the street. It was not immediately recognisable as an art space. This was partly to stave off the stereotypical role it might have played in the gentrification of the neighborhood. Experiencing art in the places we inhabit on a daily basis remains a critical concern. It helps to move art from a privileged experience to one more directly related to how we live our lives. A variety of people should decide how art is seen and interpreted, rather than continuing to strictly rely on those in power. Temporary Services collaborate amongst themselves and with others, even though this may destabilise how people understand the work. Temporaryservices.org

About Nick Thurston: Nick Thurston (b.1982, UK) is a writer and editor who makes artworks. He is the author or co-author of several books and editor of many more. Recent exhibitions include Reading as Art at Bury Museum & Sculpture Centre, 2016; Reading Matters at Printed Matter, New York, 2016 and Hate Library at Foksal Gallery, Warsaw, 2017. Since 2006, he has been co-editor of publishing collective Information As Material, with whom he was Writer in Residence at the Whitechapel Gallery, London, 2011-12. In 2014, he was Artist in Residence at the Irish Museum of Modern Art, Dublin and in 2016 he was Visiting Research Fellow in Contemporary Writing at the University of Pennsylvania, Philadelphia. He teaches at the University of Leeds.

June 28, 2017

Portobello Prize for non-fiction launches

The inaugural 2017 Portobello Prize celebrates the art of narrative non-fiction and aims to discover and launch a star of the future.

The 2017 #PortobelloPrize – from Portobello Books – is open to any UK citizen or UK-based writer who is unpublished in book form.

Entries can be submitted until midnight 16th October 2017.

The winner will receive a competitive book deal, representation by C+W, and publication by Portobello Books, backed by a dynamic marketing and publicity campaign, with promotional support from legendary independent bookstore, Foyles.

Judging panel:

  • Ben Rawlence (author of City of Thorns)
  • Sharmaine Lovegrove (film & TV scout and literary editor)
  • Sophie Lambert (Literary Agent, C+W)
  • Marion Rankine (book-buyer at Foyles)
  • Laura Barber (Publishing Director, Portobello Books).

More info and how to enter.

Questions: prize@portobellobooks.com

@PortobelloBooks

Info from Portobellobooks.com

June 27, 2017

Peggy Hughes appointed as new LAS Chair

The Board of Trustees of Literature Alliance Scotland is delighted to announce Peggy Hughes as its new Chair.

Peggy Hughes. Photo: Chris Scott

The appointment was unanimously approved at our Members’ and Trustees’ meeting on 17 May at University of Stirling where Ms Hughes, who directs Literary Dundee, was welcomed with a round of applause by the membership.

Peggy Hughes, said: ‘I’m truly delighted to be joining Literature Alliance Scotland as chairperson, and really looking forward to building on the work of the inimitable Ann Matheson, and working in concert with wonderful colleagues across our literary community – it’s like getting the chance to conduct a world class orchestra!

“Literature Alliance Scotland plays such a vital and exciting role in uniting writers, publishers, educators, librarians and literature organisations and presenting a strong collective voice for Scotland’s literature.

“It’s a challenging global picture, but literature and stories have a huge part to play in understanding ourselves and in bridging understanding with others, and LAS is central to making those stories and voices travel. I can’t wait to get stuck in.”

Ms Hughes has a wealth of experience within Scotland’s literature community, working in various roles over the years at StAnza, Edinburgh International Book Festival, Scottish Poetry Library and Edinburgh City of Literature Trust before joining Literary Dundee, at the University of Dundee, as Director in July 2013 where she produces and delivers the annual Dundee Literary Festival, coordinates the Dundee International Book Prize and a variety of events, publications and projects throughout the year.

She also founded Edinburgh’s Electric Bookshop and co-founded the West Port Book Festival. In addition to her new role leading the LAS Board of Trustees, Ms Hughes is a board member of Craigmillar Literacy Trust and regularly chairs events at literary festivals and panels.

Donald Smith, LAS Vice-Chair, who led the recruitment process for the position, said: “Peggy’s experience, vigour and demonstrable track record makes her the best person with the will, capacity and opportunity to lead LAS for the next two years.”

-Ends-

May 23, 2017

Emergents joins LAS

We’re delighted to announce that Emergents CIC Ltd, which supports the development of writing and publishing in the Highlands and Islands of Scotland, has become a Network Associate of LAS.

Emergents works to develop writing and writers with real commercial potential in the contemporary publishing, self-publishing and digital industries, and aims to assist the growth and sustainability of the publishing sector in the region.

Funded by Creative Scotland, HIE and ERDF, Emergents is a key part of HIE’s support strategy for the creative industries in the Highlands and Islands.

Peter Urpeth, Director (Writing & Publishing), will be the company’s representative for LAS and we look forward to welcoming him to the AGM in November 2017.

Follow them on Twitter @emergentwriters and on Facebook

 

April 19, 2017