A collective voice for literature and languages in Scotland

CS Open Project Funding for Literature: May 2018

£1.2million of National Lottery Funding has been awarded through Creative Scotland Open Project Funding in May 2018.

54 recipients received between £1,457 and £90,000, supporting individual artists, musicians, writers, theatre makers, festivals and organisations working across the arts, screen and creative industries.

Congratulations to the following organisations and individuals receiving funding in May 2018 for Literature:

Bloody Scotland, the Caledonian Crime Writing Festival (21-23 September 2018) has received funding towards its programme. The annual festival furthers the development of Scottish crime writing by bringing together leading Scottish and international writers, showcasing debut voices, encouraging new writing and introducing the best of the genre to audiences and readers.

Glasgow-based publisher Vagabond Voices has received funding towards its 2018-19 publishing programme. This will include a series of books over a wide range of activities, to help authors of innovative and non-genre works to start or re-establish their literary careers.

For funding information on the other cultural sectors, read the announcement on Creative Scotland’s website.

June 29, 2018

Denise Mina wins The McIlvanney Prize for Scottish Crime Book of the Year

Congratulations to Denise Mina who won the Bloody Scotland McIlvanney Prize Scottish Crime Book of the Year 2017 for The Long Drop.

It is the first time a woman has won the award.

The award was announced last night (Friday 8 September 2017) at the opening night of Bloody Scotland – Scotland’s international Crime Writing Festival – which runs from 8-10 September 2017 at venues in Stirling.

Lee Randall, chair of the judges said:

“The Long Drop by Denise Mina transports us back to dark, grimy Glasgow, telling the social history of a particular strata of society via the grubby, smokey pubs favoured by crooks and chancers. She takes us into the courtroom, as well, where Manuel acted as his own lawyer, and where hoards of women flocked daily, to watch the drama play out.

Full of astute psychological observations, this novel’s not only about what happened in the 1950s, but about storytelling itself. It shows how legends grow wings, and how memories shape-shift and mark us.

For my money this is one of the books of 2017 — in any genre.”

Information and photo courtesy of Bloody Scotland.

September 9, 2017