In April 2019, an anthology of contemporary Scottish writing is among 42 projects to share £800,000 of Open Project Funding from Creative Scotland.
Canongate Books has received funding to produce Antlers of Water, the first ever anthology of contemporary Scottish writing on nature and the environment. Writers from across the country, who are committed to the conservation of natural world are being invited to contribute prose, poetry, photography and hybrid forms of writing.
The Nairn Book and Arts Festival has received funding towards this year’s event, enabling the Festival to develop its existing programme. It will offer talks and readings by well-established, nationally known authors, new writers and local writers, and simultaneously translated Gaelic language author events. In addition, this year, the Festival will feature drama, film visual arts exhibitions and creative workshops for people of all ages, and an outdoors open mic session for teens.
Read the full CS press release.
Scotland’s crime writing festival, Bloody Scotland is among the 40 projects that share over £700,000 of Open Project Funding in May 2019
Bloody Scotland has received funding for this year’s edition taking place in Stirling from 20-22 September 2019. The annual festival furthers the development of Scottish crime writing by bringing together leading Scottish and international writers, showcasing debut voices, encouraging new writing and introducing the best of the genre to audiences and readers. In addition to the festival events catering mainly for adult readers, the festival intends to repeat the successful 2018 and 2017 initiative to take events to local primary and secondary schools, for both children and young adult readers.
The McIlvanney Prize given each year for the Best Scottish Crime Novel of the year will be joined in 2019 by a new prize for the Best Scottish Debut Novel.
Bob McDevitt, Director, Bloody Scotland said: “I am once again looking forward to the three-day celebration that is Bloody Scotland; from the Torchlight procession on the opening night via the football match, a ceilidh, a quiz and many excellent panels and individual author events it should be a memorable long weekend.”
Read the full CS press release.
June 27, 2019
£1.2million of National Lottery Funding has been awarded through Creative Scotland Open Project Funding in May 2018.
54 recipients received between £1,457 and £90,000, supporting individual artists, musicians, writers, theatre makers, festivals and organisations working across the arts, screen and creative industries.
Congratulations to the following organisations and individuals receiving funding in May 2018 for Literature:
Bloody Scotland, the Caledonian Crime Writing Festival (21-23 September 2018) has received funding towards its programme. The annual festival furthers the development of Scottish crime writing by bringing together leading Scottish and international writers, showcasing debut voices, encouraging new writing and introducing the best of the genre to audiences and readers.
Glasgow-based publisher Vagabond Voices has received funding towards its 2018-19 publishing programme. This will include a series of books over a wide range of activities, to help authors of innovative and non-genre works to start or re-establish their literary careers.
For funding information on the other cultural sectors, read the announcement on Creative Scotland’s website.
June 29, 2018
Congratulations to Denise Mina who won the Bloody Scotland McIlvanney Prize Scottish Crime Book of the Year 2017 for The Long Drop.
It is the first time a woman has won the award.
The award was announced last night (Friday 8 September 2017) at the opening night of Bloody Scotland – Scotland’s international Crime Writing Festival – which runs from 8-10 September 2017 at venues in Stirling.
Lee Randall, chair of the judges said:
“The Long Drop by Denise Mina transports us back to dark, grimy Glasgow, telling the social history of a particular strata of society via the grubby, smokey pubs favoured by crooks and chancers. She takes us into the courtroom, as well, where Manuel acted as his own lawyer, and where hoards of women flocked daily, to watch the drama play out.
Full of astute psychological observations, this novel’s not only about what happened in the 1950s, but about storytelling itself. It shows how legends grow wings, and how memories shape-shift and mark us.
For my money this is one of the books of 2017 — in any genre.”
Information and photo courtesy of Bloody Scotland.
September 9, 2017