Professional development and community for the literature sector in Scotland

About Us

LAS is a registered charity (SC046387) run by an active and engaged Board of Trustees.

Our Trustees are nominated by Member organisations, and we aim for a representative spread of the broader sector LAS supports. Many of our trustees are also published writers and bring with them extensive experience as freelancers as well as from previous roles within the literature sector in Scotland and further afield.

If you are a current LAS member interested in nominating yourself or someone else to join the Board of Trustees, please get in touch for an informal discussion with one of our Co-Chairs.

Meet the board

Co-Chair

Philippa Cochrane

Philippa is Director of Programme at Scottish Book Trust, where she leads the delivery of the organisation’s offer.  For the previous 13 years Philippa led the development and delivery of SBT’s programmes for adults, including Book Week Scotland.and over the last 22 years at Scottish Book Trust, led the Reading Communities team, the Schools team, the Learning team and the Children’s team. She served as a member of the Wigtown Festival Board for nearly six years. Philippa is trained in coaching, co-creation, and fundraising as well as having trained as a teacher in the distant past.

Co-Chair

Mairi Kidd

Mairi is a published writer of fiction and non-fiction for adults and children, in English and in Gaelic, and often contributes to TV broadcasts on literature. Her board experience includes membership bodies such as the Independent Publishers’ Guild, public body MG Alba and multiple Gaelic arts charities and organisations including a volunteer directorship of a children’s bookclub CIC. Mairi previously served as Director of The Saltire Society, CEO of Seven Stories the National Centre for Children’s Books, of Moat Brae and of Stòrlann Nàiseanta na Gàidhlig, and was MD of Barrington Stoke and Head of Literature at Creative Scotland.

Treasurer

Peter Burnett

Peter is the founder and Publishing Director of Leamington Books, which has published over fifty titles in Gaelic, Scots and English since 2020, including  fifteen books by first-time authors. Originally from Aberdeen, he has himself written fourteen books with seven different publishers, and has a background in journalism, tech, finance and retail. 

Secretary

Vikki Reilly

Vikki is the Marketing & Trade Development Manager for Publishing Scotland, the Trade & Network body for Publishing in Scotland. She has over 20 years of experience in the book industry, first as a bookseller, then in the sales and marketing departments of Mainstream Publishing, Mercat Press and Birlinn Ltd, where she was also on the editorial board. Vikki released her first book The Beatles 101: A Pocket Guide in 101 Moments, Songs, People and Places in 2020.

Ray Anyasi

Ray is Global Director at Bookause, Festival Director for Rayany Creators Film Festival, and a member of The Society of Authors in Scotland Committee. Previously, he was Programs Director for Lagos Comic Con, Africa’s most attended literary event between 2015-2022. Ray is an author, poet, comic creator and screenwriter. He is also a certified Creative Enterprise Consultant and Events Strategist. Some of his books like Ujasiri, Sorrows of Udi, Broken Clouds and To Live Again have been translated into multiple languages, including Spanish, German and Portuguese.

Alison Lang

Alison is Director of Comhairle nan Leabhraichean (The Gaelic Books Council). Previous roles have included work at the Scottish Parliament, the National Theatre of Scotland and MG ALBA (The Gaelic Media Service), and she also spent a number of years as a freelance author, editor and dramatist. Alison formerly served as a charity trustee for Clì Gàidhlig and Theatre Gu Leòr.

Sophie Moxon

Sophie is Executive Director of the Edinburgh International Book Festival, a global gathering point for creativity, connection, and critical thought. For over 20 years, her work has centred on building communities around books and reading. Sophie joined the Book Festival in 2015 and has worked across the organisation during a period of significant change. Prior to that she spent 11 years at Scottish Book Trust, as Live Literature Scotland Manager, Head of Programme and then Deputy and Acting Director. She has also worked for Arts Council England and in development, marketing and PR.

Isla Rosser-Owen

Isla is CEO of the Wigtown Festival Company. After university in Edinburgh and SOAS, where she studied Arabic and Near & Middle Eastern Studies respectively, Isla initially developed a career in publishing, working primarily as an editor for many years. After volunteering for Islay Book Festival, Isla took over as chair and festival director and led the organisation through a period of expansion and positive change for six years. Isla first joined Wigtown Festival Company in 2018 as cultural producer, with a remit for literature and sector development, before moving on to Bradford Literature Festival to take a lead on the programming team as senior creative producer. Isla returned to Scotland’s Book Town in her current leadership role in 2025, overseeing the future strategic, creative, and operational direction of Wigtown Festival Company as it began an exciting new chapter.

Claire Squires

Claire is Professor in Publishing Studies at the University of Stirling, and former Director of the Scottish Graduate School of Arts & Humanities (SGSAH). Her research interests focus on the history of the book, publishing studies and book cultures in the 20th and 21st centuries, both in the UK and globally. Her publications include Marketing Literature: The Making of Contemporary Writing in Britain (Palgrave, 2007), with Beth Driscoll The Frankfurt Book Fair and Bestseller Business (CUP, 2020) and The Frankfurt Kabuff Critical Edition (Wilfrid Laurier, 2023), and as co-editor with Andrew Nash and I. R. Willison, The Cambridge History of the Book in Britain Volume 7: The Twentieth Century and Beyond (CUP, 2019). She previously worked at Hodder Headline plc, and as a freelance proofreader and copy-editor. She has been a judge for the Saltire Society Literary Awards, and is a Scottish Book Trust New Writer Awardee (2015).

Meet the executive team

Transformation Manager

Viccy Adams

Viccy has been supporting the LAS Board with the design and implementation of a strategic refresh since April 2025, looking at how the network moves forward in the digital, post-pandemic era. She has a degree in English Literature from the University of St Andrews, a PhD in Creative Writing from Newcastle University and a background in arts funding, project management and strategic consultancy. Alongside her freelance role with LAS, Viccy teaches Creative Writing at the University of Edinburgh and researches the conditions writers need to thrive. As writer-in-residence with Space Chariot she is taking writing by 8-12 year olds into space through a network of international partnerships.

Programme Coordinator

Heather McDaid

Heather has been working with LAS as Programme Coordinator since June 2026, leading on the monthly newsletter, LinkedIn, Network Programme and Partnerships. She is an award-winning cultural freelancer and co-founder of independent press 404 Ink. Previous roles have included Publishing & Campaigns Manager at the Terry Pratchett Estate, Programme Support Officer at Publishing Scotland, and Programmer at Paisley Book Festival.

SGSAH Mapping The Sector intern

Alice Gibson

Alice joined LAS in January 2026 for an internship on the Mapping The Sector research project, supported by the Scottish Graduate School of Arts and Humanities (SGSAH). She grew up in Glasgow, and completed an undergraduate degree in English at the University of St Andrews, followed by an MPhil in Scottish Literature at the University of Glasgow. Since 2020, she has been the Research Assistant for the Read Older Scots project, an initiative which seeks to reintroduce Older Scots (c.1475-1700) texts to the curriculum in Scottish schools. Her doctoral research focuses on readers in late-medieval Scotland, examining popular texts from this period in order to construct an understanding of the diverse audiences for whom these narratives were intended.